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This is an archive article published on April 20, 2010

Behind Closed Doors

In 1992,when Barbet Schroeder’s thriller Single White Female came out,based on John Lutz’s novel SWF Seeks Same...

Jag Mundhra’s psychological thriller,Apartment,explores the bitter fallout of sharing spaces

In 1992,when Barbet Schroeder’s thriller Single White Female (SWF) came out,based on John Lutz’s novel SWF Seeks Same,it explored the theme of encroachment,both spatial and mental through the lives of Allison Jones and Hedra Carlson. Now,almost two decades later,director Jag Mundhra,has taken up the same premise,this time in an Indian context,in his next film,Apartment,which releases on April 23. “Because of space crunch,metros like Mumbai,where people from different nationalities,religions and regions share space to save on rent,face such situations daily. I wondered what it is like to let a stranger in to one’s house,let them use their stuff,give access to their private lives. That became the starting point of my film. There are thematic semblances to SWF,but Apartment works more on a psychological level,on how the violation of physical and mental space can lead to catastrophic results,” says Mundhra,in town to promote the film with actors Rohit Roy and Jennifer Mayani. The film also stars Neetu Chandra and Tanushree Dutta in the lead roles,besides veteran actor Anupam Kher.

From Nandita Das in Bhawandar to Aishwarya Rai Bachchan in Provoked,Mundhra’s protagonists have always been strong female characters. In this film too actors Chandra and Dutta have meaty roles. The film follows the lives of the two characters played by them,and the crisis that arises when they start sharing an apartment. Chandra,who plays a person suffering from bipolar disorder,completely overturns Dutta’s settled life,when she moves in with her,taking over not just her apartment,but also her live-in partner,played by Roy. “It is still very difficult,especially in Bollywood,to sell a woman-oriented film. On top of it,it’s a challenge to find a male lead for it. Not many male actors want to be part of such scripts,” says Mundhra. Roy,though,says he has no such qualms. “It’s a good story,” he shrugs.

Making women-centric films though,Mundhra says,has been a choice he has made willingly. “My films deal with conflicts,both internal and external. While the external deals with a good versus evil plot,the internal is more intricate. I feel no one can portray that better than women. As members of a male-dominated society,they already have to cross a lot of hurdles in their lives,and hence,such experiences make for exciting screenplays,” he states.

The film has already generated some controversy owing to Chandra’s reported nude scenes,but the director shrugs it off. “Cinema revolves around the suspension of disbelief. If you’re having a shower,you are bound to take off your clothes,and even though everyone knows it’s faked,as a director my job is to make it look as real as possible. Sex sells and I am not going to apologise for it,” says Mundhra.

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