Fashion historian Christopher Breward, who will become the director of the National Museums Scotland next month, on how the brocades, silks and chiffons of historical portraiture are good fashion lessons.
Price alone won’t determine a successful auction of Nirav Modi’s seized goods.
Over the last couple of years, Katyal, along with a bunch of contemporaries, that now include vernacular poets such as Hussain Haidry and Aamir Aziz, have responded to the ruptures in India’s community life with poetry on social media.
Azar, 48, who has been living in Australia (Melbourne) as a political refugee since 2011, becomes the first Iranian author to have been recognised by the £50,000 prize, which is split between the winning author and translator.
Actor Ben Affleck talks about his addictive behaviour, divorce and The Way Back.
Across India, millennials and their elders are opting for plants to celebrate special occasions.
Aura Life, an experiential abode on the outskirts is here to bring sustainability, low-waste and mindful living to Chandigarh.
A native of Kasargod in Kerala, Sherif got hooked to rallying in 1993 when he competed in the Mandovi rally organised by Karavali Auto Sports Club at Mangalore.
British writer Hallie Rubenhold’s latest book tells the story of the five victims of Jack the Ripper.
Fashion designer Tarun Tahiliani speaks to Indian Express on his journey of 25 years, what he learnt from his masterjis and what he can’t watch brides do.
Popular restaurant Pan Asian returns as Yi Jing, with assertive spiciness from Sichuan and Hunan
Hong Sangsoo’s The Woman Who Ran shows that dystopia is not the only thing South Korean cinema does well
Writer-director Sooni Taraporevala on adapting a real-life fairytale on screen, her film clock ticking and why India needs to nurture indie cinema.
A “walking sculpture”, a designer, an activist and writer, he never fails to turn heads dressed in fabric and steel, frills and brocade, ribbons and shells, feathers, crystals and over-sized safety pins.
What he wants, he says, is to keep the “DNA” — the flavour — of the food intact, even as he experiments with the form.
Artist Atul Dodiya on his enduring engagement with the masters and how landscapes offer freedom to explore and why he engages with the society to produce his art.
Prateek Vyas’s Eeb Allay Ooo! and Akshay Indikar’s Sthalpuran may be rooted in India but resonate with global audiences
From well-known Kalighat paintings to more experimental work on conch shells, there will be many on display.
Paired with an all-white jumpsuit that had a vicar collar, the green sash, which was woven with metallic gold thread broke the monotony of the all-white ensemble.
Golden Globe winner Brian Cox on season three of his show Succession, Brexit, and why he wishes to play Andrew Carnegie.
The Nepal Picture Library project is a powerful archive of women who have spoken truth to power.
Assam is the protagonist of Haque’s theatre. It flows as the Brahmaputra in Bubbles in the River (2018), a play about ethnic tribes that are threatened by globalisation.
A film on the late gallerists Kekoo and Khorshed Gandhy honours their legacy to Indian art and shows how art and politics are never far removed.
The Indian family is evolving. Don’t blame affluence for divorce.
For Bhaduri, impressionism and expressionism have been her starting points since she began painting in the ’70s. She studied art from SNDT, University of Mumbai, and a summer course from Sotheby’s Institute of Art, London.




