The stage is now set for a battle of epic proportions.
Truth is ugly. We have art so as not to perish from the truth, said Nietzsche,upholder of different critiques of morality. As Krrish 3 flies forward breaking one box-office record after another Rs 166.42 crore (plus 36 crore from worldwide collections) mopped up within a week one cant help but wonder about the harsh truth,whether of the drudgery of our humdrum lives or individual helplessness when confronted with the forces of nature or the powers that be,that superhero films,the ultimate human fantasy,save us from.
To trace the rise of superheroes in our films,it would help to go back a little in time. While the seeds were sown in the angry young man of the 1970s, there was no formal separation of the human from the superhuman. Instead,it was the human and the divine. So,in the battle of good versus evil,good triumphed. Always. Quite like it is in superhero films. The only difference here was that in the absence of that miraculous super-suit,the good guy,when he needed a leg-up on the villain,had to rely on divine intervention. For instance,in a fight scene where the hero was outnumbered by the baddies,his mothers prayers would ensure that he gained inexplicable strength,or the cops would miraculously arrive in time or some such.
Also the battles being fought were largely personal. The hero was out to avenge a fathers murder,a mothers humiliation or injustice against the oppressed and weak. But globalisation has changed those cinematic scenarios at several levels. For one,it has changed the face of evil. So,while a hero alone may have been adequate to deal with a dreaded dacoit,a smuggler,an oppressive zamindar or a devious politician,he is no match for the faceless global terrorist networks spawning a million mutinies.
To combat the evil network that employs devious methods of conquest and control,the Hindi film hero has been nudged out of his comfort zone. Given the altered new world order in reality and therefore by extension,on our cinema screens,it is now imperative for the hero to step up his act and save not just ma-baap ki izzat,but also the world. He must,therefore,transform himself into a superhero with that definitive costume which will separate him from both his own ordinary self and the aam aadmi. A few Hindi films like Mr India and Shahenshah were experiments in that direction,but those were early days. A full-blown desi superhero like Krrish or even G.One (the good guy from Ra.One) is an idea whose time has come. The box-office collection of Krrish 3 is proof of this progression of thought,brought about in no small measure by improved cinematic technology,a greater comprehension of what science can do and the Hollywood influence.
The success of Krrish 3 also mirrors the evolution of our cinema over the last 100 years,with lines between parallel and mainstream films blurring. The rise of new media in the form of internet and gaming is a major influencer and has added another layer to the movie-making business. Increasingly,formula films like Dabangg are in a happy co-existence with new age,urbane films like Wake Up Sid,or eclectic ones like The Ship of Theseus,besides the newly spawned genre of superhero flicks. A fallout of this multiple categorisation of films is the much diminished power of the Hindi film hero as we knew him and the rise of the desi superhero.
So even the bone-crunching protagonist in formula films like Dabangg or Singham is at best equipped to wipe out crime and corruption at the mofussil level. Krrish,on the other hand does not merely protect his pregnant wife and genius father; quite like Peter Parkers Spiderman,while at it,he is also saving the world from Kaals extraordinary evil genius. The stage is thus set for a battle of epic proportions that requires nothing less than a superhero to win it. Hrithik Roshan kitted out in his sleek black ensemble and the zig-zag lightning mask assures a child that there is a Krrish in everyone. All you have to do is channel your good side to turn into a superhero,he says. If only it was that simple. Fact of the matter is,besides the onus of saving the world,what sets a superhero apart from the regular hero is the costume,the gadgetry,extraordinary war-winning powers,and an unprecedented adventure.
With great power comes great responsibility goes the immortal superhero line from Spiderman. Well,now that Bollywood has channelled its superhero capabilities with much success,the industry needs to ensure that our desi brand of superhero keeps flying high,at par with his international counterparts.
The writer is editor,Screen,priyanka.sinha@expressindia.com