Indian television is home to two extremes regressive
social dramas and progressive reality shows. POOJA PILLAI examines their divergent appeals
SOCIAL DRAMAS
Drama quotient: A typical storyline will see a mix of murder,kidnapping,conspiracy to destroy family,a sad-eyed-heroine in a bridal outfit and plastic surgery.
8220;Why dont people on these shows have normal concerns? complains Abhigyan Jha,founder and CEO of Undercover Productions.
Jha points to his own show Kali- Ek Agnipariksha on Star Plus,co-created with actress Mrinal Kulkarni. In the opening sequence,we showed one of the main characters reading a newspaper. How many times have you seen characters reading on these other shows?
Cause celebre: Shows like Balika Vadhu,Na Aana Is Des Lado and Bhagyavidhaata were started with the purpose of addressing certain serious social ills. But after the first few episodes,they usually descend into kitchen politics.
Jha points out,The reason this happens is because the makers are only interested in generating TRPs. If they seriously wanted to address these issues,they would show solutions and have people discussing it,instead of merely showing the suffering of people.
Target audience: Theres great emphasis on weddings where something inauspicious will happen,like the breaking of bangles or the smudging of mehendi. The idea seems to be to draw in female audiences since,clearly,more intelligent topics wont attract them.
However,even men have increasingly been drawn into the glittery web of dramas. TV host Aaliya Khan points out,I know of men who even discuss that so-and-so characters clothes did not match her jewellery. Its a myth that only women watch these shows.
Viewer safety: Most of these shows run on primetime,so one assumes that theyre safe for family viewing. And indeed,there isnt much danger in watching these dramas no vulgarity and profane language here apart from the incipient danger of suffering from softening of the brain.
Culture vultures: Fiction shows have to be rooted in Indian culture. As Vivek Bahl,executive creative director of Star India Pvt. Ltd points out,Shows not culturally rooted in todays scenario,will be quickly rejected as fake or irrelevant by todays demanding viewers.
However,the definition of Indian culture remains amorphous at best and it still begs the question: Why is Indian culture on television largely limited to that of Northern and Western India? How about a culturally-rooted show about a Catholic family in Goa struggling against real estate developers?
REALITY SHOWS
Drama quotient: Reality shows take to heart the adage that everyones got a story to tell. That is how they manage to get the whole nation hooked on to heartbreaks and love affairs of total strangers on shows like Emotional Atyachar and the fortunes of people like Ashmit Patel and Manoj Tiwari who we never gave a second thought to before they appeared on Bigg Boss.
As Ashvini Yardi,programming head of Colors,points out,about Bigg Boss,What appeals to viewers is its format,its contestants and the psychological battle within the house. That intrigue,coupled with the unique concept excites viewers to come on the show season after season.
Cause Celebre: Taking up relevant issues is fashionable these days,with even reality TV doing the same. Nikhil Gandhi,business head of UTV Bindass,which broadcasts Emotional Atyachar and Big Switch says,We take pains to research what the hot topics are with our target group,which is the youth. They agonize over topics like cheating and not getting along with parents,so naturally we address those issues.
If only the youth would bother a bit more about the state of the nation or the environment,then we might finally have programming on those topics.
Target audience: Anyone with a penchant for voyeurism is a fan of reality television. That includes practically everyone on the planet. After all,who wouldnt enjoy watching people abuse and beat each other up on television?
But what is really interesting about reality television is that it not only gives a second lease of life to has-beens,it also lets regular people have their moment in the spotlight. How else can we explain the continuous flow of participants on shows such as Big Switch,Raaz Picchle Janam Ka and Rakhi ka Insaaf.
Viewer safety: If you travel on a Mumbai local,youll have already heard most of the abuses used on reality shows.
Nothing shocking there,but if these things offend you and you fear for your childrens souls,then we suggest you put your TV on child-lock,because foul language and behaviour is the lubricant that oils the gears of reality shows.
Culture Vultures: The multiple television Swayamvars are a nod to the Great Indian Obsession weddings. But equally in our culture is inquisitiveness and its no wonder that we love reality shows.
That this spirit animates even the most hardened TV cynic is obvious when we consider that the biggest question facing the country this year was not Who is Dolly Bindra?,but rather,What will Dolly do next?