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The Road Ahead

At Christie8217;s, MF Husain8217;s diptych Battle of Ganga and Jamuna came under the hammer for over Rs 6 crore in March...

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Despite a looming recession, Indian artists are busy preparing for the several exhibitions slated for 2009

At Christie8217;s, MF Husain8217;s diptych Battle of Ganga and Jamuna came under the hammer for over Rs 6 crore in March, and in June the auction house set a record for Indian modern and contemporary art when it sold FN Souza8217;s Birth for over Rs 10 crore. The year 2008 was filled with success stories for Indian art, until, like everything else, it became victim to the global economic recession. Suddenly auctioneers started finding it difficult to excite bidders. The usually grand art openings became less lavish, with a minimalist menu and a basic catalogue. The timeline for the end of this downslide is hard to predict, but galleries and artists are doing whatever it takes to please connoisseurs for the year ahead.

The Indian art world is most excited about the inauguration of the new wings at the National Gallery of Modern Art. Covering an area of 24,700 sq meters, the new wings will have touch screens to give detailed information regarding programme schedules and will include a larger library, preview theatre, conservation laboratories, a cafeteria and an over 200-seat auditorium. The date for the ribbon-cutting ceremony still remains unannounced, but officials at NGMA have already planned exhibitions for D-day. Select museum collections will be on display, along with Tyeb Mehta8217;s retrospective and an exhibition of Nandalal Bose8217;s work that has returned after travelling to San Diego Museum of Art and Philadelphia Museum of Art.

Gallery Espace in New Friends Colony celebrates its 20th anniversary in 2009. 8220;There are two major publications and exhibitions planned in July and December,8221; says Modi, who has also planned a Mekhala Bahl solo in January and a Nilima Sheikh solo in April at the New Friends Colony Gallery.

Other solo exhibitions in the offing include Amitava Das8217;s 8216;The Body Social8217; at Delhi Art Gallery in February and before that Baroda-based Art Home will bring to Delhi, sculptures in steel and wood by Jeram Patel at Triveni Kala Sangam in February. Vadehra Art Gallery will showcase recent work by Anjum Singh and Ram Kumar in January, followed by Rameshwar Broota in February and Anju and Atul Dodiya in April. While Arun Vadehra hopes to accommodate an exhibition of Pakistani women artists that was earlier scheduled for December 2008, Aparajita Jain8217;s Seven Art Limited will also show works by artists from Pakistan. Titled 8216;Breaking News8217;, this will comprise artwork by Imran Ahmed, Nadia Shaukat and Hamra Abbas. At The Devi Art Foundation, Rashid Rana will curate an exhibition of select artwork from Lekha and Anupam Poddar8217;s collection to portray contemporary art practice in Pakistan, between August to December.

While one can expect art patrons to hobnob over art by masters like Pablo Picasso and Salvador Dali at Marigold Fine Art8217;s second exhibition scheduled early next year, in April, French photographer Marc Riboud will display his images at Tasveer. Also in the photo world, Dayanita Singh will showcase coloured photographs for the first time in India at a solo at Nature Morte and Richard Bartholomew8217;s photographs will be exhibited at Photoink in January.

Those looking for younger talent, meanwhile, can head to Lalit Kala Akademi, where Vadehra will present Shilpa Gupta8217;s work in March and to Talwar Art Gallery for A Balasubramaniam8217;s solo in spring.

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Will the impressive line-up bring good news for the mart? Vadehra feels that economic graph and art should be viewed independently of each other. 8220;It8217;s not the first time that there has been a lowdown and the market isn8217;t that bad. We have had healthy sales in the last few months. One should look forward to good art,8221; he smiles.

Curated For You

Vandana Kalra is an art critic and Deputy Associate Editor with The Indian Express. She has spent more than two decades chronicling arts, culture and everyday life, with modern and contemporary art at the heart of her practice. With a sustained engagement in the arts and a deep understanding of India’s cultural ecosystem, she is regarded as a distinctive and authoritative voice in contemporary art journalism in India. Vandana Kalra's career has unfolded in step with the shifting contours of India’s cultural landscape, from the rise of the Indian art market to the growing prominence of global biennales and fairs. Closely tracking its ebbs and surges, she reports from studios, galleries, museums and exhibition spaces and has covered major Indian and international art fairs, museum exhibitions and biennales, including the Venice Biennale, Kochi-Muziris Biennale, Documenta, Islamic Arts Biennale. She has also been invited to cover landmark moments in modern Indian art, including SH Raza’s exhibition at the Centre Pompidou in Paris and the opening of the MF Husain Museum in Doha, reflecting her long engagement with the legacies of India’s modern masters. Alongside her writing, she applies a keen editorial sensibility, shaping and editing art and cultural coverage into informed, cohesive narratives. Through incisive features, interviews and critical reviews, she brings clarity to complex artistic conversations, foregrounding questions of process, patronage, craft, identity and cultural memory. The Global Art Circuit: She provides extensive coverage of major events like the Kochi-Muziris Biennale, Serendipity Arts Festival, and high-profile international auctions. Artist Spotlights: She writes in-depth features on modern masters (like M.F. Husain) and contemporary performance artists (like Marina Abramović). Art and Labor: A recurring theme in her writing is how art reflects the lives of the marginalized, including migrants, farmers, and labourers. Recent Notable Articles (Late 2025) Her recent portfolio is dominated by the coverage of the 2025 art season in India: 1. Kochi-Muziris Biennale & Serendipity Arts Festival "At Serendipity Arts Festival, a 'Shark Tank' of sorts for art and crafts startups" (Dec 20, 2025): On how a new incubator is helping artisans pitch products to investors. "Artist Birender Yadav's work gives voice to the migrant self" (Dec 17, 2025): A profile of an artist whose decade-long practice focuses on brick kiln workers. "At Kochi-Muziris Biennale, a farmer’s son from Patiala uses his art to draw attention to Delhi’s polluted air" (Dec 16, 2025). "Kochi Biennale showstopper Marina Abramović, a pioneer in performance art" (Dec 7, 2025): An interview with the world-renowned artist on the power of reinvention. 2. M.F. Husain & Modernism "Inside the new MF Husain Museum in Qatar" (Nov 29, 2025): A three-part series on the opening of Lawh Wa Qalam in Doha, exploring how a 2008 sketch became the architectural core of the museum. "Doha opens Lawh Wa Qalam: Celebrating the modernist's global legacy" (Nov 29, 2025). 3. Art Market & Records "Frida Kahlo sets record for the most expensive work by a female artist" (Nov 21, 2025): On Kahlo's canvas The Dream (The Bed) selling for $54.7 million. "All you need to know about Klimt’s canvas that is now the most expensive modern artwork" (Nov 19, 2025). "What’s special about a $12.1 million gold toilet?" (Nov 19, 2025): A quirky look at a flushable 18-karat gold artwork. 4. Art Education & History "Art as play: How process-driven activities are changing the way children learn art in India" (Nov 23, 2025). "A glimpse of Goa's layered history at Serendipity Arts Festival" (Dec 9, 2025): Exploring historical landmarks as venues for contemporary art. Signature Beats Vandana is known for her investigative approach to the art economy, having recently written about "Who funds the Kochi-Muziris Biennale?" (Dec 11, 2025), detailing the role of "Platinum Benefactors." She also explores the spiritual and geometric aspects of art, as seen in her retrospective on artist Akkitham Narayanan and the history of the Cholamandal Artists' Village (Nov 22, 2025). ... Read More

 

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