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This is an archive article published on November 9, 2008

RIO ON THE RAMP

A spin of the global fashion carousel brought them here. But how do foreign models cope with India? We spent a day with some girls from Brazil to find out

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A spin of the global fashion carousel brought them here. But how do foreign models cope with India? We spent a day with some girls from Brazil to find out
Hours before a show at a recent fashion week in Delhi, the dressing room hummed with noise. In a corner sat Tatiane Silviera from Santa Catalina in Brazil, eating her packed lunch of rice and vegetables quietly. Next to her was 25-year-old Jacqueline Borges, peering into the mirror every now and then to check if the foundation had concealed traces of the rash brought on a few days ago by her introduction to Indian spices. 8220;I am so tempted by all your curries, but they are too spicy,8221; she said, with a shake of her head.

Borges is hardly a backpacker on the India adventure. She and Silviera are among the host of foreign models who have made India their base and intend to stick on for more than just a few stray assignments. 8220;There8217;s a lot of interest about India in Brazil, and I always wanted to come down here and travel. Then I heard about the fashion industry and how it was evolving fast. I thought it was as good a time as any to come down. So far, I have had no regrets,8221; said Juliana Falco from Sao Paolo.

Falco was shooting in Chile when her agency called her up with an assignment offer in India. The 22-year-old jumped at the idea and landed in Mumbai about a month back. Twenty-year-old Aline Lima from Minas Gerais, had been modeling across China, Philippines and Thailand, before she heard of the fashion industry in India. 8220;It8217;s easier to blend here than say, in China, because we have a lot in common, in terms of how we look, as well as our culture,8221; she said.

In the short span that they have been here, work has not been difficult to come by. The girls have all featured in the recently concluded Wills Lifestyle India Fashion Week in the capital and there are other projects in the pipeline. 8220;It8217;s much easier here than in Europe. We have to wait for considerable periods before we find work there,8221; said Falco.

In her one month here, Falco has done a fashion week, bagged a fashion show for international lingerie brand Triumph in November and walked the runway for Levi8217;s8217; new range of jeans by designer Tarun Tahiliani in Mumbai. Borges featured as an extra in Madhur Bhandarkar8217;s latest release Fashion, and even though she admits that it adds little to her portfolio, the experience left her thrilled. Another 22-year-old, Carina Primavesi from Puerto Allegre, who is with Inega Modelling Agency, has been shuttling between Guwahati, Kolkata, New Delhi and Mumbai for shows in her month and a half in the country.

But ask them if they have Bollywood aspirations and the girls break out into laughter. 8220;We would love to, but like an Indian model put it for us, we don8217;t have the hips, the moves or even the looks for it,8221; giggled the 58217;118221; model.

There8217;s a reason why the influx of foreign models in the country is at a premium now. 8220;Their approach to fashion is more professional; their exposure has been extensive. They are much less inhibited, so assignments which require them to don a bikini or a swimsuit are easier than for Indian girls,8221; said Tseerin Namgyal of Inega Model Management. 8220;They bring in a freshness. But if they are rank newcomers, you have to train them in everything from ramp etiquette to the basics of how to wear Indian clothes. The ones who come in with work experience, however, make a difference to the show,8221; said choreographer Vidyun Singh.

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Apart from giving designers greater choice, veteran designer Ritu Kumar thinks foreign models also contribute to cost-effectiveness. 8220;With so much happening in Indian fashion, you need more people and it8217;s reflected across the board, from choreographers, make-up artistes to models. Earlier designers would go abroad for campaign shoots. It8217;s become easier now because you can do the same thing in your own backyard,8221; she said.

Most of the girls come initially for a period of three months to check out the industry, and then depending on the volume of work they get, stay on for up to two years. They demand and get good money. For the fashion week in Delhi, most of these girls earned rates that were almost at par with top Indian models8212;about Rs 22,500 per day after a 30 per cent rebate to the Fashion Design Council of India for bulk assignments. But the amount goes down with individual shows where the girls earn anything between Rs5,000 to Rs 25,000, depending on their work experience. 8220;It8217;s a little less than what the Indian girls earn, but the rates are at par with other parts of the world. The only difference is that we probably have to do three shows instead of one in India. But on the brighter side, the living expenses are much lower here,8221; said Silviera.

Walking runways in another continent comes with its baggage. In their case, it means hostile Indian models. 8220;It8217;s understandable to an extent, because we are infringing on what8217;s really their domain. The designers and choreographers are fine with us, so I try taking it in my stride. That8217;s the only way to be professional,8221; said Silviera firmly. But some, like Primavesi, admitted it can be depressing. 8220;I am a friendly person and I have tried to break the ice with the Indian girls, but they really seem to detest our presence. I once asked one of the older girls to stub out a cigarette because I was feeling claustrophobic and the make-up rooms are no-smoking areas. Instead, she blew a puff on my face,8221; she said, with a tinge of bitterness.

Once the arclights are switched off, survival in a foreign land takes on a new meaning. And the only family they have is each other. While Falco and Borges share a flat with two other Brazilians in Mumbai, Primavesi and Lima put up together in Lajpat Nagar, with a Czech girl.

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Loneliness, the girls confided, is the most difficult thing to combat. 8220;Telephone calls are very expensive, so we have to depend on the Internet. But there8217;s so much of a time difference that I feel guilty keeping my mother awake,8221; said Lima. 8220;She doesn8217;t let me sleep nights with her constant prattle, but when it8217;s sound advice that I am looking for, Jacqueline is the one I turn to,8221; said Falco of Borges.

Primavesi goes travelling on her own, moving from Gwalior to Ujjain, from Guwahati to Lucknow, buying books on Hinduism, taking photographs to send to her younger sister back home, and surviving on naan and dahi. Borges goes around with little chits of paper in her purse, that have the names of the only few Indian dishes she can have: sada dosa and kalakand.

The glare of the strobe lights might be harsh at times, but these girls have their survival kits handy.

Paromita Chakrabarti is Senior Associate Editor at the  The Indian Express. She is a key member of the National Editorial and Opinion desk and  writes on books and literature, gender discourse, workplace policies and contemporary socio-cultural trends. Professional Profile With a career spanning over 20 years, her work is characterized by a "deep culture" approach—examining how literature, gender, and social policy intersect with contemporary life. Specialization: Books and publishing, gender discourse (specifically workplace dynamics), and modern socio-cultural trends. Editorial Role: She curates the literary coverage for the paper, overseeing reviews, author profiles, and long-form features on global literary awards. Recent Notable Articles (Late 2025) Her recent writing highlights a blend of literary expertise and sharp social commentary: 1. Literary Coverage & Nobel/Booker Awards "2025 Nobel Prize in Literature | Hungarian master of apocalypse" (Oct 10, 2025): An in-depth analysis of László Krasznahorkai’s win, exploring his themes of despair and grace. "Everything you need to know about the Booker Prize 2025" (Nov 10, 2025): A comprehensive guide to the history and top contenders of the year. "Katie Kitamura's Audition turns life into a stage" (Nov 8, 2025): A review of the novel’s exploration of self-recognition and performance. 2. Gender & Workplace Policy "Karnataka’s menstrual leave policy: The problem isn’t periods. It’s that workplaces are built for men" (Oct 13, 2025): A viral opinion piece arguing that modern workplace patterns are calibrated to male biology, making women's rights feel like "concessions." "Best of Both Sides: For women’s cricket, it’s 1978, not 1983" (Nov 7, 2025): A piece on how the yardstick of men's cricket cannot accurately measure the revolution in the women's game. 3. Social Trends & Childhood Crisis "The kids are not alright: An unprecedented crisis is brewing in schools and homes" (Nov 23, 2025): Writing as the Opinions Editor, she analyzed how rising competition and digital overload are overwhelming children. 4. Author Interviews & Profiles "Fame is another kind of loneliness: Kiran Desai on her Booker-shortlisted novel" (Sept 23, 2025): An interview regarding The Loneliness of Sonia and Sunny. "Once you’ve had a rocky and unsafe childhood, you can’t trust safety: Arundhati Roy" (Aug 30, 2025): A profile on Roy’s recent reflections on personal and political violence. Signature Beats Gender Lens: She frequently critiques the "borrowed terms" on which women navigate pregnancy, menstruation, and caregiving in the corporate world. Book Reviews: Her reviews often draw parallels between literature and other media, such as comparing Richard Osman’s The Impossible Fortune to the series Only Murders in the Building (Oct 25, 2025). ... Read More

 

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