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This is an archive article published on September 26, 2008

On Track

Randolph Correia, of the relatively small electronica duo band Shaai8217;r n Func, has for the first time composed a full soundtrack, for the movie, Saas Bahu aur Sensex.

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With several independent bands composing for films, Bollywood tunes are set to change

Randolph Correia, of the relatively small electronica duo band Shaai8217;r n Func, has for the first time composed a full soundtrack, for the movie, Saas Bahu aur Sensex. The movie may have been a dud but Correia feels that it8217;s a headstart for him, since it8217;s his first serious exposure to Bollywood, and towards making mainstream popular music. Though music from the Indian film industry has always been catchy, the predictability of the tracks is about to change, with bands that have focused on creating original sound coming in. 8220;A lot of music from Bollywood sounds exactly the same,8221; says Correia, whose tracks for Saas Bahu.. has a lot of progressive electronic sounds instead of dance and bhangra beats.

Kailasa is another group that has created a separate Bollywood identity for themselves and like to call them the Kailash-Paresh-Naresh trio. Departing from their conventional Sufi sound, the trio is ready to bring in unplugged and acoustic beats with their composition for Sushant Shah8217;s Dus Vidhaniya starring Vinay Pathak and Neha Dhupia.

8220;The music that we have done for the film is new for us as well,8221; says Paresh Kamath, guitarist of Kailasa, who have recorded their music live. 8220;There8217;s a certain human element that lengthens the songs shelf life when it8217;s live,8221; adds Kamath. The trio has also composed two tracks for the forthcoming Chandni Chowk to China that even includes a quwwali with a twist.

But not all consider Bollywood a progression, though all musicians acknowledge it the fastest way to get noticed and top the charts. 8220;I8217;m not progressing to Bollywood. In fact it is a step down for me as a musician since it cannot provide any inspiration. But it is a decent money-making proposition,8221; says Correia, who has also produced a track for Drona. Agrees Rahul Ram, bassist, Indian Ocean who says, 8220;Bollywood is not our final bastion. The filmmakers are coming to us for our sound.8221; The band has composed the soundtrack for the recently released Hulla and a film titled Bhoomi is in the pipeline. 8220;The soundtrack for Hulla basically has one main song and three versions of it apart from the background score. But the sound for our films, be it in the past or the future, will continue being the sound that is Indian Ocean,8221; says Ram.

Most of these bands are continuing with their independent work that only benefits from their exposure to Bollywood. 8220;It aligns your creative thought process with what people want to hear which can be a challenge,8221; admits Ram. 8220;Working on a script written by someone else makes us think differently which may not have been possible otherwise,8221; says Kamath.

While Correia is busy with his albums for his groups Shaai8217;r n Func and Pentagram to take the band to next level, Kailash-Paresh-Naresh turn back to Kailasa to record their third album. And Indian Ocean, which has just released their DVD, Indian Ocean Live in Delhi, is still hoping their fans will go and pick a copy

 

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