
The Mumbai police8217;s first big breakthrough in uncovering Bollywood8217;s links with the mafia may lead to more. Or so Bollywood fears and hopes. It is bracing for more revelations after producer Nazim Rizvi8217;s alleged confession that Chhota Shakeel bankrolled Atilde;sup2;f40Atilde;sup3;Chori Chori Chupke Chupke. Underworld finance in the film industry is common knowledge but unproven. Bollywood has a love-hate relationship with the mafia. Some have thrived on the connection, others have been terrorised by it. Still others are liable to be smeared by it for no fault of their own 8212; industry watchers point out that it is impossible for those working on a film to be certain about the origins of a producer8217;s funds. Hence the mixed feelings. Where the police will take the investigation from this point on is of great interest. The fate of Rizvi8217;s film which has been seized 8212; and possibly other films and many individual careers 8212; hangs in the balance. So far the police have said they also intend to question the financier ofAtilde;sup2;f40Atilde;sup3;Chori Chori8230; and its stars, distributors and exhibitors. More interrogations could follow. It will not be surprising if Bollywood is living on a knife edge of suspense.
But how far in fact will the probe be carried? Will it go far enough? Some are already complaining, with little justification, about a witch-hunt. But others welcome the probe, albeit silently, and hope it will lead to a much needed clean-up of film finance and put an end to mafia intimidation, the signing up for a film with a gun held to their heads. Although there is no hard evidence about the extent of mafia involvement, the general belief is the links are extensive. Dawood Ibrahim, Chhota Shakeel, Chhota Rajan, Abu Salem and smaller members of the species are said to have fingers in many pies. But it is a complex picture. While some sections of Bollywood are deeply in collusion with the mafia, black money deployed comes from other sources as well. It is probably an exaggeration to say no part of the industry is untouched by tainted money but the vast sums gambled on films and the shabby accounting systems suggest the rot is widespread.