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Snapshots from road to Freedom

The political shares space with the cultural — and there are portraits of stalwarts such as shehnai legend Bismillah Khan, posters of films such as Mother India (1957), and Nemai Ghosh’s photograph from the sets of Satyajit Ray’s Shatranj ke Khilari (1977).

Mrinalini Venkateswaran, March to Freedom: Reflections on India's Independence, Satyajit Ray’s Shatranj ke Khilari, Bismillah Khan, Explained, Indian Express Explained, Opinion, Current AffairsMarch to Freedom: Reflections on India's Independence By (Ed) Mrinalini Venkateswaran; DAG; 273 pages
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March to Freedom extends the current debate over dominant historical narratives to popular nationalist imagery and its omissions. More than 150 artworks and artefacts have been used to visually recount the years leading up to India’s Independence. They have been presented thematically rather than chronologically, which helps to put these works in context. The authors have delved into specific aspects — from forgotten protests against the British to the shaping of popular perception.

An attempt has been made to engage viewers through questions. In the chapter, ‘Battles for Freedom’, which underlines the significance of scattered wars through India, Jadavpur University professor Maroona Murmu asks, “How far back should we go in our search for the definitive ‘first’ battle for freedom? In ‘The Traffic of Trade’ that situates the colonial history of India and South Asia within the global history of trade, professor of world history at University of Cambridge, Sujit Sivasundaram, weighs in on whether India’s history is linked to the story of other peoples who worked near water.

Well-known artists share pages with the lesser-known and the unknown.

The recognised works include English painter Henry Singleton’s dramatised depiction of Tipu Sultan of Mysore falling to the British, artist Satish Gujral’s Share of Memories that portrays the turmoil of Partition, and Chittaprosad’s Hindustan, Pakistan, Princestan, that depicts Winston Churchill’s plan for the balkanisation of India.

Juxtaposed against British portrayals of the 1857 uprising are prints, by local artists, of the leaders of the revolt. There is an illustration of the 1855 Santhal rebellion that an unknown artist did for The Illustrated London News in 1856, showing men with bows and arrows fighting against gun-wielding British soldiers.

Historian Asique Ahmed Iqbal has written about the princely states, accompanied by posters from the 1930s, along with short pieces of text.

The political shares space with the cultural — and there are portraits of stalwarts such as shehnai legend Bismillah Khan, posters of films such as Mother India (1957), and Nemai Ghosh’s photograph from the sets of Satyajit Ray’s Shatranj ke Khilari (1977).

Curated For You

Vandana Kalra is an art critic and Deputy Associate Editor with The Indian Express. She has spent more than two decades chronicling arts, culture and everyday life, with modern and contemporary art at the heart of her practice. With a sustained engagement in the arts and a deep understanding of India’s cultural ecosystem, she is regarded as a distinctive and authoritative voice in contemporary art journalism in India. Vandana Kalra's career has unfolded in step with the shifting contours of India’s cultural landscape, from the rise of the Indian art market to the growing prominence of global biennales and fairs. Closely tracking its ebbs and surges, she reports from studios, galleries, museums and exhibition spaces and has covered major Indian and international art fairs, museum exhibitions and biennales, including the Venice Biennale, Kochi-Muziris Biennale, Documenta, Islamic Arts Biennale. She has also been invited to cover landmark moments in modern Indian art, including SH Raza’s exhibition at the Centre Pompidou in Paris and the opening of the MF Husain Museum in Doha, reflecting her long engagement with the legacies of India’s modern masters. Alongside her writing, she applies a keen editorial sensibility, shaping and editing art and cultural coverage into informed, cohesive narratives. Through incisive features, interviews and critical reviews, she brings clarity to complex artistic conversations, foregrounding questions of process, patronage, craft, identity and cultural memory. The Global Art Circuit: She provides extensive coverage of major events like the Kochi-Muziris Biennale, Serendipity Arts Festival, and high-profile international auctions. Artist Spotlights: She writes in-depth features on modern masters (like M.F. Husain) and contemporary performance artists (like Marina Abramović). Art and Labor: A recurring theme in her writing is how art reflects the lives of the marginalized, including migrants, farmers, and labourers. Recent Notable Articles (Late 2025) Her recent portfolio is dominated by the coverage of the 2025 art season in India: 1. Kochi-Muziris Biennale & Serendipity Arts Festival "At Serendipity Arts Festival, a 'Shark Tank' of sorts for art and crafts startups" (Dec 20, 2025): On how a new incubator is helping artisans pitch products to investors. "Artist Birender Yadav's work gives voice to the migrant self" (Dec 17, 2025): A profile of an artist whose decade-long practice focuses on brick kiln workers. "At Kochi-Muziris Biennale, a farmer’s son from Patiala uses his art to draw attention to Delhi’s polluted air" (Dec 16, 2025). "Kochi Biennale showstopper Marina Abramović, a pioneer in performance art" (Dec 7, 2025): An interview with the world-renowned artist on the power of reinvention. 2. M.F. Husain & Modernism "Inside the new MF Husain Museum in Qatar" (Nov 29, 2025): A three-part series on the opening of Lawh Wa Qalam in Doha, exploring how a 2008 sketch became the architectural core of the museum. "Doha opens Lawh Wa Qalam: Celebrating the modernist's global legacy" (Nov 29, 2025). 3. Art Market & Records "Frida Kahlo sets record for the most expensive work by a female artist" (Nov 21, 2025): On Kahlo's canvas The Dream (The Bed) selling for $54.7 million. "All you need to know about Klimt’s canvas that is now the most expensive modern artwork" (Nov 19, 2025). "What’s special about a $12.1 million gold toilet?" (Nov 19, 2025): A quirky look at a flushable 18-karat gold artwork. 4. Art Education & History "Art as play: How process-driven activities are changing the way children learn art in India" (Nov 23, 2025). "A glimpse of Goa's layered history at Serendipity Arts Festival" (Dec 9, 2025): Exploring historical landmarks as venues for contemporary art. Signature Beats Vandana is known for her investigative approach to the art economy, having recently written about "Who funds the Kochi-Muziris Biennale?" (Dec 11, 2025), detailing the role of "Platinum Benefactors." She also explores the spiritual and geometric aspects of art, as seen in her retrospective on artist Akkitham Narayanan and the history of the Cholamandal Artists' Village (Nov 22, 2025). ... Read More

 

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