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Film schools, short films are the best initial steps for aspiring filmmakers, say successful debut directors in unison
Directors Vinayak Chandrasekaran, Ganesh K Babu, Arul Subramaniam, and Vignesh Raja also emphasised the importance of excitement when it comes to choosing a particular idea for their films.
(Clockwise) Dada director Ganesh K Babu, Pattu director Arul Subramaniam, Por Thozhil director Vignesh Raja, and Good Night director Vinayak Chandrasekaran. (Images: Facebook, Twitter, Galatta Plus/YouTube) Even though we are now in the era of pan-Indian cinema, where big-budget films get the maximum push, regional film industries in India remain committed to nurturing new filmmakers and if their films are of good quality, audiences will undoubtedly support them. The immense positive feedback received by directors Vinayak Chandrasekaran, Ganesh K Babu, Arul Subramaniam, and Vignesh Raja for their movies – Good Night, Dada, Pattu, and Por Thozhil, respectively – confirms this fact.
In a recent Debut Directors Roundtable hosted by Galatta Plus, the four filmmakers gathered to share their experiences and discuss the factors that contributed to their successful entry into the industry.
When questioned about the ideal initial step for aspiring filmmakers, all four of them shared a common response: either enrol in film schools to study the craft or gain hands-on experience by creating short films. “In a past interview, I recall Mani (Ratnam) sir emphasizing the significance of patience and perseverance for filmmakers. There are various routes to embark on this journey. You can opt to create short films or serve as an assistant director. The choice of path is entirely in our hands,” Vinayak Chandrasekaran observed.
“The advice I got was to go to a film school which was why I got into Tharamani Film Institute. My proper study of filmmaking is helping me now. You will meet a lot of people in film school and that will automatically take you to a certain place,” Ganesh Babu said. “I also went to Tharamani Institute. Afterwards, I began working and doing short films in parallel. The base that institute provided was amazing,” Arul, whose film Pattu has not yet been released theatrically but is being showcased at several film festivals, mentioned.
“For me, it’s always making short films. I know you can learn cinema, but I don’t know if it can be taught. The knowledge that you acquire by doing something is imprinted. You can never lose it. It’s very easy to make short films now. But I always wanted to go to a film school. Not exactly for learning but to experience the environment wherein you are surrounded by like-minded people,” Vignesh Raja noted.
Sharing a similar viewpoint about choosing a particular idea for their debut films, all four directors emphasised the importance of excitement. They unanimously agreed that the story or concept they have in mind should continually excite them.
Highlighting the significance of finding the right producer for their projects, Vignesh Raja emphasised the need to create a list of potential producers after thoroughly reviewing their previous works. “Selecting a producer is as crucial as picking the cast and crew members. You should comprehend their body of work to ensure they grasp your vision. This way, you will encounter fewer disappointments while approaching different production houses Vignesh Raja explained.
As first-time filmmakers, they all acknowledged that they would need to make compromises to complete the movie. Collectively, they expressed that despite the elevated pressure on their future endeavors due to the success of their respective first films, it is crucial to disregard these pressures and approach each upcoming project with the same mindset as their first film.
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