Premium
This is an archive article published on August 25, 2017

Qaidi Band movie review: This Aadar Jain and Anya Singh starrer is preachy

Qaidi Band movie review: More realism would have made this a film we could have believed in. But we do take away the young faces with us, especially Anya Singh whose bright-eyed earnestness is wholly convincing. She is a real find.

Rating: 1.5 out of 5
qaidi band, qaidi band movie, Aadar Jain, Anya Singh, Sachin Pigaonkar, Prince Parvinder Singh, Qaidi Band movie review: The actors all do their job, but the film is so careful to be prison lite that nothing seems real

Qaidi Band star cast: Aadar Jain, Anya Singh, Sachin Pigaonkar, Prince Parvinder Singh, Peter Muxxa Manuel, Mikahi Yawalkar, Anna Ador, Cyndy Khojol, Ram Kapoor
Qaidi Band director: Habib Faisal
Qaidi Band rating: One and a half stars

That undertrials in Indian jails can live in limbo, swinging between hope and despair for a long, long time is a good, solid subject for a film. And when the film begins, with the mention of Machang Lalung who spent 54 years—most of a man’s life– in prison, you hope for something that will do justice for people in search for just that—justice.

A bunch of young and young-ish undertrials come together to form a band, and what begins as something that starts under duress, turns into a song for their ‘azaadi’. Sanju (Jain), Bindu (Anya), Tatyana (Ador, seen before this in Gurgaon), Musky (Parvinder), Ogu (Manuel), Rufi (Yawalkar) and Sange (Khojol) is the rag-tag gang, and the inclusion of a Black man, and a girl from the North East allows the film to make important points about racism and discrimination, even in a place where the entire populace is discriminated against.

Story continues below this ad

The actors all do their job, but the film is so careful to be prison lite that nothing seems real: even the dust of the prison grounds is air-brushed. Anything which could have revealed the horrific degree of physical abuse is cut short: the place is run by a jailer (Sachin : good to see him back in Hindi cinema) who kow-tows to authority.

The plot’s insistence on taking pot-shots at the usual suspects (politicians and the police and the ‘system’) makes it preachy. And the way the rock-band arena is used to solve a climactic problem is far from credible.

More realism would have made this a film we could have believed in. But we do take away the young faces with us, especially Anya Singh whose bright-eyed earnestness is wholly convincing. She is a real find.

Click here to follow Screen Digital on YouTube and stay updated with the latest from the world of cinema.

Latest Comment
Post Comment
Read Comments
Advertisement
Advertisement
Advertisement
Advertisement