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This is an archive article published on March 29, 2016

Mowgli Returns

The New York-based actor was expressing his joy over visiting India, which he calls “homeland”. Sethi’s maternal grandparents live in India, where his debut film is based.

mowgli, jungle book, Neel Sethi, Indo-American actor, Indo-American child actor, Jon Favreau, The Jungle Book, Siddharth Roy Kapur, Vishal Bhardwaj, Rudyard Kipling, JJ School of Art campus, talk news A still from The Jungle Book

With the visit of Indo-American Neel Sethi, who plays Mowgli, nostalgia surrounds the film, The Jungle Book. The UA certificate for it, however, points at another reality.

Neel Sethi, the new Mowgli, says in pidgin Hindi mid-way through a press conference in Mumbai on Monday morning: “Mein hoon Mowgli. Yeh mera ghar hai.” This is a line from the Hindi version of Jon Favreau-directed The Jungle Book, as Mowgli asserts his rights to live in the jungle. The 12-year-old Indo-American, however, was not merely reiterating a dialogue. The New York-based actor was expressing his joy over visiting India, which he calls “homeland”. Sethi’s maternal grandparents live in India, where his debut film is based.

Sethi is the only actor in The Jungle Book. The live-action movie, which releases in India on April 8, employs the latest technology to tell the story. It blends live action performances with stunning CG environments and extraordinary photo-real animal characters that artists have stylised. More explanation of how CGI has created grand spectacle in the movie came from Sethi. “For some scenes, I had to just jump from one blue-shaded platform to another.

On screen, it looks like a 400 ft leap. That’s really cool. When I first watched the scene, I thought, I am really cool. I really didn’t do that but it looks like (on screen) that I did it,” says the dimpled actor, at home with scores of cameras trained on him and mediapersons asking a volley of questions. Sethi was selected after an exhaustive worldwide search during which 2,000 children were auditioned.

mowgli, jungle book, Neel Sethi, Indo-American actor, Indo-American child actor, Jon Favreau, The Jungle Book, Siddharth Roy Kapur, Vishal Bhardwaj, Rudyard Kipling, JJ School of Art campus, talk news The actor near Rudyard Kipling’s bunglow on JJ School of Art campus. Source: Express photo by Varinder Chawla

Sethi is in Mumbai to kick off a series of promotional events in the run up to the film’s India release in four languages — English, Hindi, Tamil and Telugu. Even as plenty of buzz is building up around it, here is a dampener. The film was given a UA certificate by the Central Board of Film Certification. Responding to a question on why they did not contest the decision, Siddharth Roy Kapur, the MD and CEO of Disney India, said: “We wanted to retain the sanctity of the film and ensure that it doesn’t go through any cuts. For a ‘U’ certificate, we might have had to do that.

We figured that, with a UA certificate, children will be able to watch it with their parents.” Vishal Bhardwaj, who was present at the press conference, has already watched the movie and found it “beautiful”. “It does not require a UA certificate. There is nothing in it that is going to scare children,” he said, and added, “Let’s accept that these are times when The Jungle Book is given a UA certificate.”

mowgli, jungle book, Neel Sethi, Indo-American actor, Indo-American child actor, Jon Favreau, The Jungle Book, Siddharth Roy Kapur, Vishal Bhardwaj, Rudyard Kipling, JJ School of Art campus, talk news Siddharth Roy Kapur, Neel Sethi and Vishal Bhardwaj

Bhardwaj’s association with The Jungle Book spans over two decades when Doordarshan used to telecast a Japanese anime version of it, dubbed in Hindi, on Sunday mornings in 1993. When the composer-director was struggling to find his foothold in the industry, he got a call from the lyricist-director Gulzar to compose the tune for the television series’s opening song. They had only a day to do that. Bhardwaj played a few tunes and Gulzar came up with the lines: Jungle jungle baat chali hai, pata chala hai, chaddi pahanke phool khila hai. For the upcoming film too Bhardwaj has teamed up with Gulzar to rework the iconic song.

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The film is trying to tap into the overwhelming nostalgia that Indians experience over Rudyard Kipling’s classic that is set in the jungles of central India. The immensely popular television series too kept the nostalgia alive. As the voice of Shere Khan, Nana Patekar grabbed popular imagination in the ’90s. The veteran actor has once again been roped in to lend his voice to Favreau’s The Jungle Book along with Irrfan as Baloo, Om Puri as Bageera, Priyanka Chopra as Ka and Shefali Shah as Raksha. “We wanted to cast known voices as these characters are really popular in India. We had first, second and third choices. Fortunately, all our first choices agreed to do it,” says Roy Kapoor.

Alaka Sahani is a prominent film critic and journalist based in Mumbai. With a career spanning over two decades, she has established herself as one of India’s most authoritative voices in cinematic journalism, known for an analytical approach and insights that transcend the standard cycle of celebrity journalism. Expertise & Accolades In 2014, Alaka was honoured with the National Film Award for Best Film Critic. Her Swarna Kamal (Golden Lotus) citation specifically lauded her for "highlighting facets of cinema beyond glamour and gossip" and for her ability to delve into the contemporary relevance of iconic filmmakers. Her commitment to journalistic integrity was further recognised in 2019 with a Special Mention at the Red Ink Awards for her investigative feature, 'In Search of a Star'. Her article titled 'People Like Us', published in The Indian Express on March 27, 2022, was shortlisted for Red Ink Award, 2023. Global Industry Leadership Alaka’s expertise is sought after by major international and domestic film bodies: Golden Globes: In 2025, she joined the international voting body for the 83rd Annual Golden Globes. National Film Awards: She served on the prestigious jury for the 68th National Film Awards, helping select the finest contributions to Indian cinema. Global Perspective: Her work consistently bridges the gap between commercial Bollywood A-listers and emerging independent talents, offering nuanced insights into both Indian regional cinema and international film trends. Focus & Vision Beyond the screen, Alaka is a dedicated observer of Mumbai’s vibrant theatre scene and the historical evolution of the moving image. Through her long-form articles and deep-dive interviews, she continues to challenge "tried-and-tested" templates, providing readers with a deep understanding of the artistic and systemic workings of the Indian and global film industry. ... Read More

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