This is an archive article published on November 14, 2015
Sonam Kapoor: The Playing Princess
Sonam Kapoor on acting with Salman Khan, being undiplomatic and trying out different roles.
Written by Alaka SahaniNovember 14, 2015 12:16 AM IST
4 min read
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I am trying to be a better artiste. I try not to do the same kind of roles over and over again, says Sonam Kapoor
What kind of rapport do you share with your co-star Salman Khan with whom you have done your first movie?
He is very friendly, and working with him is easy. A lot of actors have insecurities, but Salman is so gracious. My dad was a generation before Salman and I am a generation after. That’s how different generations keep working in the industry. I did Khoobsurat with Ratna Pathak Shah and we are more like friends today. It is great to work with artistes who have respect for their craft.
Is your role of a princess in Prem Ratan Dhan Payo (PRDP) a departure from the traditional Rajshri heroines?
All the Rajshri heroines are strong but this is more contemporary in its take. At the same time, the film is about good values like all the Barjatya films. And that’s not old-fashioned.
You have a mixed bag of movies coming up. Is there a particular space you are trying to create for yourself?
I am trying to be a better artiste. I try not to do the same kind of roles over and over again. Fortunately or unfortunately, people have a short memory when it comes to certain things. Since I act in fewer movies and the characters I do are not similar, people tend to forget. I was a physiotherapist in Khoobsurat and in Neerja, I play an air hostess. I can learn and grow from the different experiences that these roles offer.
What’s the status of Neerja Bhanot’s biopic, Neerja?
The shooting of Neerja was wrapped up in May and the movie will hopefully release during the first quarter of next year. I always research for my roles and as far as Neerja is concerned, I am working with an amazing director, Ram Madhvani. I watched several home videos, and met Neerja’s family and friends too.
What has been your main struggle as an actor?
My main struggle has been that people tend to not take me seriously because of the way I am. People always want the underdogs to do well and I don’t come across as an underdog. Maybe I am too straightforward.
Did this not change for you after Raanjhanaa?
It obviously hasn’t. I do only one or two films in a year and my PR skills are not that great. Also, I am a bit abrasive and I do not come across as a diplomatic person. However, I don’t want to change. I would rather be a strong individual who has an opinion.
You worked in Aisha, an adaptation of Jane Austen’s Emma, and now Anuja Chauhan’s Battle for Bittora is being made into a film. Do you tend to lean towards love stories?
I have a special place for books and literature. Emma is a spoilt brat, and is my favourite Jane Austen character. Even though I had done Delhi 6 before Aisha released, I knew that people would identify with Aisha more. I like to push myself without fearing about the consequences. When I signed Raanjhana, I knew that the character of Dhanush was more loveable and mine had grey shades. My character in Bittora has a lot of flaws, which makes it interesting.
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Is Fawad Khan playing the lead character in Bittora?
We have not made any announcement on this yet. We would like to have Fawad, who is like family to us.
Do you get involved with your home productions?
I am an actor. So, usually after giving suggestions, I step back. With Bittora, I will be more hands on since I bought the rights of Bittora and the project is mine.
How was your experience of doing the music video Dheera dheere with Hrithik Roshan?
I have known Tulsi and Bhusan Kumar for a really long time and the video was a homage to their father Gulshan Kumar. We shot it over two days. It was fun, and people liked Hrithik and me together.
Alaka Sahani is a prominent film critic and journalist based in Mumbai. With a career spanning over two decades, she has established herself as one of India’s most authoritative voices in cinematic journalism, known for an analytical approach and insights that transcend the standard cycle of celebrity journalism.
Expertise & Accolades
In 2014, Alaka was honoured with the National Film Award for Best Film Critic. Her Swarna Kamal (Golden Lotus) citation specifically lauded her for "highlighting facets of cinema beyond glamour and gossip" and for her ability to delve into the contemporary relevance of iconic filmmakers. Her commitment to journalistic integrity was further recognised in 2019 with a Special Mention at the Red Ink Awards for her investigative feature, 'In Search of a Star'. Her article titled 'People Like Us', published in The Indian Express on March 27, 2022, was shortlisted for Red Ink Award, 2023.
Global Industry Leadership
Alaka’s expertise is sought after by major international and domestic film bodies:
Golden Globes: In 2025, she joined the international voting body for the 83rd Annual Golden Globes.
National Film Awards: She served on the prestigious jury for the 68th National Film Awards, helping select the finest contributions to Indian cinema.
Global Perspective: Her work consistently bridges the gap between commercial Bollywood A-listers and emerging independent talents, offering nuanced insights into both Indian regional cinema and international film trends.
Focus & Vision
Beyond the screen, Alaka is a dedicated observer of Mumbai’s vibrant theatre scene and the historical evolution of the moving image. Through her long-form articles and deep-dive interviews, she continues to challenge "tried-and-tested" templates, providing readers with a deep understanding of the artistic and systemic workings of the Indian and global film industry. ... Read More