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This is an archive article published on August 6, 2013

A Dangerous Mind

Using gestures and techniques from Kathakali,Ettumanoor P Kannan presents a lyrical version of Shakespeare’s Macbeth

There is a heavy sense of suspense and anxiety,as Macbeth announces he no longer wants to kill King Duncan and usurp the throne. Backstage,a clear voice renders the lines from William Shakespeare’s timeless tragedy,while on stage,Ettumanoor P Kannan uses ancient Kathakali hand gestures to bring the dialogues and the story to life.

One moment,Kannan is Macbeth,full of contrition,pleading with his wife to drop the plans to assassinate the king,and in the next moment,he is Lady Macbeth,enraged at what she thinks is her husband’s “green and pale” will,crumbling in fear. “I have given suck,and know/ How tender ’tis to love the babe that milks me./ I would,while it was smiling in my face/ Have plucked my nipple from his boneless gums/ And dashed the brains out,had I so sworn as you/ Have done to this,” goes Lady Macbeth’s dialogue,and Kannan shifts from Macbeth’s stance of diffident reasoning to his wife’s burning ambition to see him become king.

This scene,famous in Shakespeare’s Macbeth,is also one of the most poignant in Kannan’s Macbeth Cholliyaattam,a rendition of the original play using techniques from Kathakali,a dance-drama form from Kerala. “Macbeth Cholliyaattam is a cultural translation of Shakespeare’s play. More than an adaptation,it is a collaboration between the play and Kathakali. We’ve made no changes to the original dialogue,but we enact it with the hand gestures and the ethics of Kathakali,” says Kannan. While Kannan is the sole actor in the performance,there are others who lend their support to the project — one person renders the play’s dialogues while others perform the accompanying musical score. “It is a lyrical presentation of the story created by the combination of dance,song,percussion and dialogue,” says Kannan.

Cholliyaattam,he says is a Kathakali performance with elaborate make-up and costume,presented so that the audience can learn more about Kathakali technique. “That was how Cholliyattam was used traditionally,usually depicting Indian mythological or historical stories such as the Ramayana and the Mahabharata. But I present solo Cholliyattam with themes and ideas that are new to Kathakali,” he says.

“Macbeth Cholliyaattam is about Macbeth’s state of mind. It does not depict the entire play,but his personal journey and the internal emotional and mental process he goes through before the king’s murder and right after it,” he says. Kannan had performed a similar Macbeth-themed production as early as 2001 in the US. At that time,the production was a collaboration with other artistes. For the first time,Kannan is taking his production out of Kerala with his maiden performance in Pune on Friday,following which he will travel to Ahmedabad and other cities.


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