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Shanwaz Nadeem is the protagonist of the novel Hira Mandi not because he is a prostitutes son. Or because hes one of Pakistans foremost and controversial painters. He is the hero because he has crossed over he paints the dancers and sex workers of Hira Mandi,Lahores notorious red light district,with the dignity that real life denies them.
French author and journalist Claudine Le Tourneur dIsons novel Hira Mandi (translated from French by Roli Books),which released recently,tells the story of a sex-workers son who became a renowned painter. And Shanwaz Nadeem isnt entirely fictional. He is inspired by the real-life story of painter Iqbal Hussain,the son of a sex worker from Hira Mandi,who grew up here and who dIson describes as the key to this neighbourhood.
With him for company,she entered the backstage of these dancers lives and watched as their pains and struggles played out before her. She has etched the politics that keeps dancers separated from the rest and how old age becomes a lonely battle for survival.
While the novel is based on Hussains life,dIson says its not a biography but a mix of stories about a closed community. Nadeem,like Hussain,realised that one of the ways to get out from this ghetto was to learn English,follow his heart and paint the lives of women around him, says dIson. I settled in Iqbals house to write the book and saw how his models,the dancing girls,connected with him,for he has time to hear their stories and shared with them whatever he earns from his paintings, says the writer,adding that shes spent so much time at Hira Mandi that people there now look at her as part of the area.
Despite attending National College of Arts,exhibiting at the best galleries in Pakistan and selling in countries around the world,Hussain admits,Im still an outsider. Not that it bothers me. For me,Hira Mandi is home and these are my people. I paint these women the way they are in real life,not at work. They are full of life,music,love and humour. Despite threats and opposition,Hussain continues to paint them in oil and watercolour.
I have a restaurant on the rooftop of my home in Shahi Mohallah,and it attracts the elite of the city. I employ the locals here,including the musicians and,in the process,give them dignity, she says.
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