Blaft repackages regional pulp fiction as mainstream literature with English translations
Till a year back,readers of Indian writing in English were deprived of a pleasure unlike their regional counterparts. The likes of James Hadley Chase have always been floating aroundbut the desi touch was sourly missing. This helped the Blaft Anthology of Tamil Pulp Fiction in grabbing the imagination of thrill-seeking readers as well as others when it was released in 2008.
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With this books success,Blafta Chennai-based publishing house founded by Rakesh
Kumar Khanna,Rashmi Ruth Devadasan and Kaveri Lalchand-found an impetus to their mission of making regional pulp fiction mainstream. The book,translated by Pritam Chakravarthy,captured the minds of readers with tales of mad scientists,vengeful goddesses,murderous robots and scandalous starlets.
India has a rich treasure of nearly 100 years of pulp fiction writing. But these are often looked down upon and branded as time-pass literature, says Chakravarthy. She had grown up on a heavy dose of Tamil pulp fiction,till she moved to hybrid literature (as Khanna puts it). Its the US-bred Khannamarried to Devadasanwho prodded Chakravarthy to rediscover the joys of such writings as well as translate them. I was always interested in those posters in psychedelic colours at tea shops and pictures in popular magazines, says Khanna,who cant read Tamil.
Initially,Blaft was engaged in scouring the pulp fiction-rich South Indian literature,and finding the best and the juiciest to be translated in English. They have even published a collection of folktales from Tamil Nadu called Where Are You Going,You Monkeys?. But with their latest releaseSurender Mohan Pathaks The 65 Lakh Heist,translated by Sudarshan Purohitthey have repackaged the most-selling book by the King of Hindi Pulp.
We didnt want to be known just for Tamil translations. Thats why when Purohit showed interest,we asked him to translate Pathaks book, says Khanna,who has translated Charu Niveditas Zero Degree in collaboration with Chakravarthy. We want to do translations of more regional literature from other parts of the country, adds Lalchand.
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Translating the books poses myriad challenges,the main being able to keep the flavour of the original writing. Apart from this,we also have to keep in mind the individual style and the flavour of each authors writing, says Chakravarthy. While translating Pathaks book,Purohit visited him after tracking the author through his Orkut fan club. The choice of which book of Pathak he should translate became easy with Purohit picking up the bestselling authors most popular book.
The five-book-old Blaft is dreaming big,enthused by the fabulous response to their books. They have set much wider goals of eventually branching out into comic books,graphic novels,childrens books,non-fiction,textbooks,how-to manuals,encyclopaedias,and even kitchen appliances. So its not surprising that their to-be-released list runs long Hindi Pulp Covers: The Art of Shelle features 35 postcards by Mustajab Ahmed
Siddiqui aka Shelle; TyPoCiTy by Vishal Rawley is a pictorial survey of typography and design found on signboards,taxis,buildings,tiffin dabbas,and in other public spaces of Mumbai,Moonward,a graphic story in five parts by Appupen alias George Mathen; and Tamil Pulp Fiction Volume 2 translated by Chakravarthy. Parallel to the plans of widening their publishing activities run their efforts to improve their distribution in India and abroad.
Alaka Sahani is a prominent film critic and journalist based in Mumbai. With a career spanning over two decades, she has established herself as one of India’s most authoritative voices in cinematic journalism, known for an analytical approach and insights that transcend the standard cycle of celebrity journalism.
Expertise & Accolades
In 2014, Alaka was honoured with the National Film Award for Best Film Critic. Her Swarna Kamal (Golden Lotus) citation specifically lauded her for "highlighting facets of cinema beyond glamour and gossip" and for her ability to delve into the contemporary relevance of iconic filmmakers. Her commitment to journalistic integrity was further recognised in 2019 with a Special Mention at the Red Ink Awards for her investigative feature, 'In Search of a Star'. Her article titled 'People Like Us', published in The Indian Express on March 27, 2022, was shortlisted for Red Ink Award, 2023.
Global Industry Leadership
Alaka’s expertise is sought after by major international and domestic film bodies:
Golden Globes: In 2025, she joined the international voting body for the 83rd Annual Golden Globes.
National Film Awards: She served on the prestigious jury for the 68th National Film Awards, helping select the finest contributions to Indian cinema.
Global Perspective: Her work consistently bridges the gap between commercial Bollywood A-listers and emerging independent talents, offering nuanced insights into both Indian regional cinema and international film trends.
Focus & Vision
Beyond the screen, Alaka is a dedicated observer of Mumbai’s vibrant theatre scene and the historical evolution of the moving image. Through her long-form articles and deep-dive interviews, she continues to challenge "tried-and-tested" templates, providing readers with a deep understanding of the artistic and systemic workings of the Indian and global film industry. ... Read More