With two releases in the next couple of weeks,Kunal Khemu is on a roll
An actors life is a busy one,especially in a movie-obsessed land like India. When I call Kunal Khemu to fix a date for an interview,he sighs with regret and says,Im busy doing promotional events for my upcoming releases. You can come and meet me,but Im not sure well really get to talk. I take up the challenge.
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Khemu can barely be called a star in Bollywoods galaxy,but the ring of bodyguards that surrounds him as he promotes Dhoondte Reh Jaoge in Mumbai would have anyone believe that hes one of the legendary Khans.
The movie,Khemu informs,is an out-and-out comedy. It will be followed by the new male-bonding story of Jai Veeru with Fardeen Khan the next Friday. In Dhoondte Reh Jaoge,Khemu and Paresh Rawal play a pair out to make money in any way possible. They formulate plans to make money,but all of them fail, says Khemu. They even set out to make a bad movie as part of their crazy formula. And does the plan work? He says,Id rather not give that out. You should just catch the movie.
The promo of the movie is equally zany Khemu and co-star Soha Ali Khan look on as contests are announced to an unresponsive audience. The challenges range from answering questions about the movie to finding music CDs hidden at the venue.
Khemu started out as a child actor,with movies like Hum Hain Rahi Pyar Ke and Raja Hindustani. His first movie as an adult actor was Kalyug,about the pornographic film industry and how it devastates peoples lives. His next was Madhur Bhandarkars Traffic Signal,about the people who inhabit Mumbais pavements. Khemu says he does not set out to work in movies with social messages. I choose movies that have an interesting plot, he says. The director is important,but ultimately I base my decision on the storyline.
Khemus work has got positive reviews,even if box-office success has eluded most of the projects. Unlike many industry people,he admits that critical acclaim does matter. Of course,mass popularity is important. But Id be lying if I said that I didnt appreciate the good things the critics have said about me. But tax him about his lack of solo hero roles and he goes on the defensive. The days of those kind of parts are over anyway,with the exception of a few like Ghajini.
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As Khemu and Khan throw into the air fistfuls of fake cash stamped with the movies logo,one cant help but wonder if there is any truth to the rumours of the two being a couple. I dont want to give you the same clichéd answers,but the truth is were good friends, he clarifies. He may not be a star yet,but he sure knows how to answer like one.
Pooja Pillai is a Senior Assistant Editor at The Indian Express, working with the National Editorial and Opinion section. Her work frequently explores the intersection of society, culture and technology.
Editorial Focus & Expertise
Pooja’s writing spans several key domains, often blending analytical commentary with cultural critique.
Art & Culture: She writes extensively on cinema, books, and the evolving landscape of arts and entertainment.
Technology & Society: Her work examines the human impact of the gig economy, the rise of AI in creative fields, and the cultural shifts driven by digital platforms.
Food & Lifestyle: She often uses food as a lens to explore history and politics, covering everything from the origins of pantry essentials to the impact of nutrition policy.
Politics: She closely tracks political developments in South and West India and provides commentary on international political transitions, including the shifting landscape of American politics.
Multimedia & Podcasting
Pooja is a prominent voice in the Indian Express’s digital ecosystem. She is the host of 'DeshKaal with Yogendra Yadav', weekly video podcast where she facilitates deep-dive conversations on Indian democracy, social movements, and current political affairs.
Notable Recent Works
Cinema & Identity: “SRK@60: Why Shah Rukh Khan is Bollywood's last, and only, superstar” – an analysis of stardom and the changing face of Indian identity
Global Politics: Commentary on the Trump administration’s misguided “war on woke culture” via typography and analysis of the visual semiotics of Volodymyr Zelenskyy’s attire during successive visits to the White House.
Art & AI: “An unequal music: AI is lowering barriers at the cost of music itself” – a critique of how technology is redefining artistic value.
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Pooja is active on X (formerly Twitter) and Instagram, where she shares her latest columns and editorial insights.
Her full archive and latest updates can be found on her Indian Express Author Profile. ... Read More