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This is an archive article published on March 1, 2009

The Nandi frames

Over the past year artist Sarthak has been pouring over mythological scriptures,trying to find out more about the Nandi.

Artist Sarthak paints the Nandi in different mediums

Over the past year artist Sarthak has been pouring over mythological scriptures,trying to find out more about the Nandi. Prod the artist a bit and he narrates various tales involving Lord Shiva and his vehicle. “It is a symbol of power. It is inspirational and devoted and as an artist I find its features fascinating. The bull has depicted by several artists before,but I almost felt compelled to sketch it,” says Sarthak,as he looked at an oil on canvas in shades of orange with a green Nandi slanting at the centre.

Exhibited at Fortune Art Gallery in Gurgaon,the work is now in Sarthak’s studio at Tara Apartments,where it occupies a corner along with several works featuring Nandi in different mediums,from soft pastel on paper in shades of yellow and burnt sienna with a tint of red and blue to a crayon on paper that has two Nandi bulls drawn on a yellow backdrop. “It represents Indian culture and that is the theme that I want to showcase through my work,” says Sarthak,who had his last solo at India Habitat Centre in 2004.

The 54-year-old’s objective is also reflected in his other works. While on one hand he has painted tribals,also part of his collection are ghagra-clad women and the forest greens of Sundarbans. “These are an outcome of various tours that I have taken around the country,” says Sarthak,rattling off his itinerary. If in 2005 he was in Nandankanan Sanctuary in Orissa,in 2007 he was in Neemghan in Madhya Pradesh and in March 2008 he spent several weeks in Jaldapara Wildlife Sanctuary in West Bengal.

“I often visit the villages around these places and stay with the residents. This enables me to understand their lifestyle,” says Sarthak who held his first solo exhibition in 1995 and was tutored in art by Abani Sen. “I remember travelling to his studio in Gol Market everyday,” says Sarthak,who worked in the marketing division of firm,before he decided to pursue art as a full-time occupation.

While he hopes to exhibit his work in Bangalore,Mumbai and Chennai,also on the artist’s agenda are trips to forests across the country. “Nature can be truly inspiring,” he smiles,as he gets back to reading tales involving Nandi and Shiva.

Vandana Kalra is an art critic and Deputy Associate Editor with The Indian Express. She has spent more than two decades chronicling arts, culture and everyday life, with modern and contemporary art at the heart of her practice. With a sustained engagement in the arts and a deep understanding of India’s cultural ecosystem, she is regarded as a distinctive and authoritative voice in contemporary art journalism in India. Vandana Kalra's career has unfolded in step with the shifting contours of India’s cultural landscape, from the rise of the Indian art market to the growing prominence of global biennales and fairs. Closely tracking its ebbs and surges, she reports from studios, galleries, museums and exhibition spaces and has covered major Indian and international art fairs, museum exhibitions and biennales, including the Venice Biennale, Kochi-Muziris Biennale, Documenta, Islamic Arts Biennale. She has also been invited to cover landmark moments in modern Indian art, including SH Raza’s exhibition at the Centre Pompidou in Paris and the opening of the MF Husain Museum in Doha, reflecting her long engagement with the legacies of India’s modern masters. Alongside her writing, she applies a keen editorial sensibility, shaping and editing art and cultural coverage into informed, cohesive narratives. Through incisive features, interviews and critical reviews, she brings clarity to complex artistic conversations, foregrounding questions of process, patronage, craft, identity and cultural memory. The Global Art Circuit: She provides extensive coverage of major events like the Kochi-Muziris Biennale, Serendipity Arts Festival, and high-profile international auctions. Artist Spotlights: She writes in-depth features on modern masters (like M.F. Husain) and contemporary performance artists (like Marina Abramović). Art and Labor: A recurring theme in her writing is how art reflects the lives of the marginalized, including migrants, farmers, and labourers. Recent Notable Articles (Late 2025) Her recent portfolio is dominated by the coverage of the 2025 art season in India: 1. Kochi-Muziris Biennale & Serendipity Arts Festival "At Serendipity Arts Festival, a 'Shark Tank' of sorts for art and crafts startups" (Dec 20, 2025): On how a new incubator is helping artisans pitch products to investors. "Artist Birender Yadav's work gives voice to the migrant self" (Dec 17, 2025): A profile of an artist whose decade-long practice focuses on brick kiln workers. "At Kochi-Muziris Biennale, a farmer’s son from Patiala uses his art to draw attention to Delhi’s polluted air" (Dec 16, 2025). "Kochi Biennale showstopper Marina Abramović, a pioneer in performance art" (Dec 7, 2025): An interview with the world-renowned artist on the power of reinvention. 2. M.F. Husain & Modernism "Inside the new MF Husain Museum in Qatar" (Nov 29, 2025): A three-part series on the opening of Lawh Wa Qalam in Doha, exploring how a 2008 sketch became the architectural core of the museum. "Doha opens Lawh Wa Qalam: Celebrating the modernist's global legacy" (Nov 29, 2025). 3. Art Market & Records "Frida Kahlo sets record for the most expensive work by a female artist" (Nov 21, 2025): On Kahlo's canvas The Dream (The Bed) selling for $54.7 million. "All you need to know about Klimt’s canvas that is now the most expensive modern artwork" (Nov 19, 2025). "What’s special about a $12.1 million gold toilet?" (Nov 19, 2025): A quirky look at a flushable 18-karat gold artwork. 4. Art Education & History "Art as play: How process-driven activities are changing the way children learn art in India" (Nov 23, 2025). "A glimpse of Goa's layered history at Serendipity Arts Festival" (Dec 9, 2025): Exploring historical landmarks as venues for contemporary art. Signature Beats Vandana is known for her investigative approach to the art economy, having recently written about "Who funds the Kochi-Muziris Biennale?" (Dec 11, 2025), detailing the role of "Platinum Benefactors." She also explores the spiritual and geometric aspects of art, as seen in her retrospective on artist Akkitham Narayanan and the history of the Cholamandal Artists' Village (Nov 22, 2025). ... Read More

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