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Delhi-based actor Adil Hussain suddenly finds himself in the big league post the success of Italian film-maker Italo Spinellis film Gangor
After having a blink-and-you-miss performance earlier this year in Abhishek Chaubeys Ishqiya,Delhi-based actor Adil Hussain,37,is finding his groove doing offbeat independent cinema. Hussain has been cast in the lead role in Italian director Italo Spinellis Bengali film Gangor,a cinematic adaptation based on novelist Mahasweta Devis short story. Bollywoods loss has clearly been Spinellis gain as Hussain received a standing ovation at the world premiere of the English language film in Rome last month and even during the red carpet of the Festival. I was humbled by the response. I consider myself fortunate to have worked in this film. The subject and the character graph were too stimulating to ignore, says Hussain,sitting in his residence at Greater Kailash,Part-I.
The actor has just returned after a week in the Italian capital and the congratulatory calls and messages are still pouring in. I had no idea who Spinelli was when I got my agents call for the film. In fact,I was fortunate to bag the role,since Irrfan Khan was supposed to play my character initially, adds Hussain,sipping on a hot cup of freshly brewed Italian coffee,that he says was among the first things he bought in Rome.
The film is a political thriller set in the rural hinterlands of Purulia,West Bengal,against the backdrop of the atrocities inflicted on the tribal women in the region. Hussain portrays the role of the photo-journalist Upin,who is sent to Purulia to document the action. In his search for a golden shot,he finds a hauntingly beautiful tribal woman,Gangor (played by Priyanka Bose) feeding her newborn child. After paying her to photograph her breastfeeding,the harmless act spirals into a nightmare for the woman when the photo is published. The girl is ostracized by her village and subjected to all kinds of torture,especially sexual. The movie deals with the utter and brutal insensitivity of the modern world to our tribals, says Hussain,who spent a month in Purulia for the shoot. My character develops a fondness for the tribal woman and returns to the village to protect her from the humiliation, he adds.
The movie is similar to the novel with the exception of one additional character,Medha,(played by Tilottama Shome) who essays the role of a social worker. She serves as the cinematic counterpoint,sympathising with Gangor through her ordeal, says Spinelli,over phone from Rome. An Indophile,he has made 10 documentaries on India canvassing political issues like the Babri Masjid demolition and on social activist Medha Patkar.
A visiting faculty at National School of Drama for 10 years,his alma mater,Hussain came to Delhi from Golapur,Assam in 1990 to pursue acting. Naseeruddin Shah and Barry John were my gurus at NSD. Training under them sharpened my skills, he recalls. For Spinellis film he had only two weeks to prepare for his role. He referred to Devis novel for guidelines. Besides,his 17-years of experience in theatre proved beneficial. When you do not have much time to prepare for your character,you rely on whatever clues you find. The book helped a great deal. I listened to Spinellis instructions verbatim too, he says.
But films are still not a priority for him. I was never lured by the glamour of tinsel town. Even today I am quite content with theatre, remarks the actor who has been touring the world with members of the Indian Shakespeare Company,as part of the play Othello: A play in Black and White,for over a decade now. He is also busy wrapping up a shoot for Sriram Raghavans Agent Vinod. I recently returned from Latvia after a two-month shoot, he reveals.
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