Premium
This is an archive article published on July 26, 2013

Royal Salute

JJ Valaya heralds the couture season with a royalty-inspired collection with Spanish influences on Day One of India Bridal Fashion Week

Patience is a virtue and we realised that during the two-hour delay to JJ Valaya’s opening show at the Amby Valley India Bridal Fashion Week (IBFW) on Wednesday night. Hosted at The Grand,Vasant Kunj,Valaya built up the anticipation in the packed pre-show area as he mingled with guests,all of whom adhered to the ivory white dress code. Then,like the Pied Piper,he led them in queues,to the show area. While soirees are seldom held near the ramp,in this case,it was part of the setting. The premise,the Maharaja of Madrid (also the name of the collection) was due to arrive from Spain on a ship with his daughter,the Princess (actor Kangna Ranaut). The set,created by Sumant Jayakrishnan,saw a ship in dock with make-believe Maharajas from erstwhile states (depicted by a team of actors) seated among guests. Vintage canopies dotted the area around the ramp and a butler

service made sure no wine glass went empty. The sound of water lapping the shore and the crying seagulls added to the ambience.

The show began with a jugalbandi between kathak dancers on the floor and a flamenco dancer on the ship. Then the Maharaja of Madrid himself — actor Kabir Bedi — dressed in a floor-length jacket with stunning embroidery appeared. It was definitely a dramatic start with music by Gaurav Raina of the Medieval Pundits. The first part of the collection saw outfits in ivory with detailing inspired by the lace found in Spanish fans and headgear. The silhouettes were in the designer’s signature style — floor-length Anarkalis. Menswear,also a part of the line-up,brought in dressed-up achkans and jackets. The highlights were the Madrid elements — the quintessential Spanish fringed-shawls with their floral embroideries were well interpreted with Indian Jamavar by Valaya. The bright orange flowers and tassle-trimmings took the Spanish story forward in a collection that was resplendent in hues such as deep aubergine,red and turquoise. A Valaya collection would be incomplete without the use of velvet,also a staple in a Maharaja’s wardrobe,and this collection saw plenty of that with rich silks,jacquards,tulle and georgette.

The collection had moments of familiarity with the embroideries but there were some newer elements,which included references to murals by Mexican artist Diego Rivera. Valaya researched for a year on the artist. These were cleverly combined with Indian miniature art in the set of ensembles in black and scarlet. There was a time when the Indian bride would have shied away from packing a black outfit in her trousseau but as Valaya’s collection proved that wrong. The final set of outfits was an ode to the matadors and here the collection took on darker and deeper hues. Swarovski,another Valaya essential,glinted from the outfits comprising lehengas,all of which were a visual delight with their intricate embroidery,even though some motifs were from his previous collections.

The Princess closed the show,wearing an attitude and a turban over long flowing locks,a heavily embroidered lehenga without dupatta. The dark,grunge nail paint was not hard to miss and neither was the opulent jewellery. Brides can take tips.

Stay updated with the latest - Click here to follow us on Instagram

Latest Comment
Post Comment
Read Comments
Advertisement
Loading Taboola...
Advertisement