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Ang Lee might be the most famous Taiwanese filmmaker,but there are several crouching tigers and hidden dragons out there. A festival of Taiwanese films,being held over the weekend,celebrates them.
On offer are five films from Taiwan New Wave Cinema that dates to the 1980s. The countrys chequered political history,having been ruled by the Japanese and the Chinese,had affected its cinema. It was only with the 1980s New Wave movement that Taiwan began to find its own cinematic vocabulary, says Supriya Suri,co-founder of Cine Darbaar,an organisation that is holding the Taiwan Cine Experience 2009 in association with the Taipei Economic and Cultural Centre.
Apart from the urban portraits in Tsai Ming Liangs Dong (The Hole) and He Lious (The River),in which water becomes a symbol of social dysfunction,there will be Yang Ya Chens Orz Boys,a tale of two mischievous boys called Liar Number 1 and Liar Number 2 who are faced with the twin problems of staying out of trouble and growing up. But it is with a special film that the festival closes. We Nien Jens Duo Sang (A Borrowed Life) is about Sega,born in Taiwan under the Japanese rule and out of sync with the Mainland Chinese authorities who took over in 1945. We are screening a rare sample piece because most prints are lost, says Suri.
The festival will be held on June 27 and 28 at the India Islamic Centre.
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