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Shamim Akhtar fell in love with photography when he was 10 years old after a family friend gifted him a Russian-made DSLR camera. Since then,he dreamt of becoming a fashion photographer in Paris,but ended up as a civil servant in the DANICS cadre with an expertise in infra-red photography.
Additional district magistrate,North district,with additional charge as CEO of the Delhi Wakf Board,Akhtar has not given up his first love.
After 17 years with the government,Akhtar now plans to take voluntary retirement in a couple of years and move to Paris to promote his work. He also plans to write a book on Kerala.
Earlier this week,Akhtar donated 20 of his infra-red photographs of Islamic monuments in Delhi to Indian Islamic Cultural Centre. I find IICC the best place to preserve my works,through which I want to convey the message of conservation of national heritage, he says.
When asked about his enthusiasm for infra-red photography,generally less preferred,Akhtar says,Infra-red photography is as old as any other photography. In an era when technology outsmarts aesthetics of the photographer,I still believe that there are some works where old-school photography can outride modern camera techniques. Like my works for my book Forgotten Delhi. I wanted my pictures to highlight the historical perspective of these monuments and showcase them as everlasting.
Infra-red photography was the best means to convey that feeling to the viewers, he adds,disclosing the difficulties with infra-red photography,such as the problem with the source of light and difference in focus and aperture from those in normal cameras. So it requires more time and effort to get a better picture.
Akhtar has showcased his photographs in 13 solo exhibitions so far.
People in India are not really familiar with in-camera effects obtained with an infra-red camera which has an infra-red sensitive film and a filter that blocks all visible light other than infra-red. The images are either in black and white or false colour,which makes them look fiery. The dreamy or gory effect in images is called the Wood Effect after Robert W Wood,a pioneer in infra-red photography.
A sociology graduate from JNU,Akhtar is married to his collegemate Sasmita Sarangi,who now runs an advertising agency as well as publishes all his books.
Being an enthusiastic traveller and a solo biker,Akhtar likes landscape as well as fashion and glamour photography. His photographs showcase a splendid assortment of cultures from remote corners from Kailash Manasarovar to Lakshadweep.
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