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This is an archive article published on September 29, 2024

At National Gallery of Modern Art in Bengaluru, ‘Mapping Namma Uru’ interactive art performance evokes nostalgia

Following a poetry performance beginning with the phrase “Elli Enke Bengaluru (Where is My Bengaluru)”, the interactive segment began with multidisciplinary artist Dimple Shah handing out snacks made of cooked beans.

NGMA, artThe bioscope, a device popular in the late 1800s, is a box containing a manually rotated roll of film negative that allows viewers looking in to see specific images. (Express Photo)

This Friday, the National Gallery of Modern Art saw a performance by multidisciplinary artist Dimple Shah titled ‘Mapping Namma Uru’, evoking the past 487 years of the city’s history. The piece cut across elements of vision, sound, taste, and smell to convey its message.

The performance began with Shah lifting an old-fashioned bioscope device and moving it to its appointed place, dressed in traditional clothing and a large headdress evoking a temple tower or one of Kempe Gowda’s watchtowers. Shah explained, “It can represent any gopuram from Bengaluru, but not any specific one, just the iconic structure.”

The bioscope, a device popular in the late 1800s, is a box containing a manually rotated roll of film negative that allows viewers looking in to see specific images. The images in this bioscope were related to the past of the city, such as black-and-white images of major streets, or famous entrepreneurs such as ‘Coffee Pudi’ Sakamma.

Shah said, “Carrying the bioscope and the images of history… is like baggage, but good baggage. Whenever we start missing some people, some space, we go down memory lane.”

Following a poetry performance beginning with the phrase “Elli Enke Bengaluru (Where is My Bengaluru)”, the interactive segment began with Shah handing out snacks made of cooked beans, recalling one of the origin tales of the city, along with freshly made coffee, also another city staple. Visitors were encouraged to also use the coffee to symbolically leave marks on postcards.

Shah said, “I had previously done one performance at Wheeler’s Road, interacting with the vendors there who were the audience, specific to the history of that area… I am an outsider. But how I enter and experience the city and experience the walks, the food, the basic way of connecting with people – I wanted to create the same experience for my audience.”

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