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Were glad Beera is the song with which the music album of Raavan opens. No other song on the album declares more joyously that the master,A R Rahman,is back where he belongs in the company of Mani Ratnam and Gulzar,where hes once again churned out a thumpingly good album. Of course,after the disasters that were Blue,Yuvraaj and Couples Retreat,anything that sounds remotely fresh will be welcome. But in this case,we would say that the relief is well-deserved. Last months music release of Kites,despite singer KKs soaring vocals on Zindagi Do Pal Ki,is already a distant memory.
Theres no doubt that the songs follow certain trademark Rahman-isms. From the lively percussion in Beera,to the angry rock riffs of Behene De to the saccharine sweet female voice on Khili Re,theres much that old Rahman hands will find familiar. Thok De Killi,performed by Sukhwinder Singh,especially,triggers nostalgia for songs like Dhakka Laga from Yuva and Paathshaala from Rang De Basanti,with a similarly energetic chorus line and upbeat melody.
Love seems to be a bit of a villain in Raavan. Ranjha Ranjha,by Rekha Bharadwaj and Javed Ali,also expounds on the helplessness a lover feels (Ranjha Ranjha na kar Heere/Jag badnami hoey/patti patti jhar jawey/ par khushboo chup na hoey),while Kata Kata by Ila Arun,Sapna Awasthi and Kunal Ganjawala opens with a raucous shehnai. It compares a new bridegroom to a lamb being led to slaughter. Khili Re is a rather conventional love song it has a strong classical base,but Reena Bhardwajs breathy vocals and clichéd lyrical motifs of blooming flowers turn it into a bore.
The album (priced at Rs 160) will sound comfortingly familiar to fans who were dismayed by his outputs last year. On the flipside,though,Rahman does not break new ground. We like that he has not let a single voice dominate,even his favourite Singh; this is perfectly in keeping with the folk vibes of the music. But we wish he wouldve got at least one soaring,pitch-defying number for us to marvel at.
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