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This is an archive article published on January 12, 2023
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Opinion In a violent and polarised world, Malayalam film ‘Saudi Vellakka’ represents a cinema of kindness

Kunal Ray writes: The film shows us that kindness is not a stray event. It is nurtured and executed by a collective

Saudi Vellakka focuses on the misery of an old woman and her long-drawn-out court case.  (Source: IeMalayalam.com)Saudi Vellakka focuses on the misery of an old woman and her long-drawn-out court case. (Source: IeMalayalam.com)
January 12, 2023 02:31 PM IST First published on: Jan 12, 2023 at 02:30 PM IST

Is it possible to have a cinema of kindness? Before writing this article, I googled the phrase to see if such a coinage exists. I met with no success but a list of films showed up that deal with kindness in one way or the other. That was not the result I was looking for.

I recently began thinking about the cinema of kindness after watching a new Malayalam film, Saudi Vellakka, which is currently available on an OTT platform. I also held several conversations with friends regarding this aspect of the film and followed others on social media. It seemed to me that the film has successfully led to a discussion on the necessity of kindness in contemporary society and its depiction in cinema. Now, it can be argued that do we need cinema to learn kindness. Isn’t it a given already? Isn’t it already there in all forms of art? After all, who wants didactic art? While all these are valid questions, there is no denying the fact that there is a constant erosion of kindness in the times we live in. To such an extent that kindness seems to be perennially under threat. I, therefore, couldn’t stress more the necessity of a cinema of kindness.

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Saudi Vellakka focuses on the misery of an old woman and her long-drawn-out court case. A large part of the film also revolves around the courtroom and offers a critique of the judicial system where cases continue to drag on for years while people await a closure. In the film, the old woman hits a child in a fit of rage and repents it. This event then becomes the pivot around which the remainder of her life revolves. It can clearly be said from the film that this woman hasn’t had a very rewarding life. In fact, though the film doesn’t offer a flashback or make any attempt to reveal her past story, her present life is an indication of the many hardships she must have had to endure.

Her only son, an auto driver in Kochi also abandons them during this time furthering the pain of the old woman. Towards the end of the film, her neighbour and well-wisher also mentions that she has always failed in life and they cannot afford to let her lose in the fag end of life. She must win. Winning, however, is not defined or portrayed in material terms. As a viewer of the film, one also knows that life will not change for the old woman, whatever the court verdict. The film takes a rather interesting turn towards the end where, unrelated to the verdict, there is a marked change in the family that had once accused her of pure villainy for having hit their child. The child, now a grown-up man, wants to take the old woman home. His family, initially resistant to accepting the abuser, has come around and offers care to the old woman who is now recovering in a hospital.

Besides the central characters, there is also a demonstration of kindness from several others involved in the process – the neighbour, lawyers, and a bus conductor amongst others. An expression of kindness is not a stray event. It is nurtured and executed by a collective which is how it ought to be for kindness to be life-sustaining.

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Saudi Vellakka is clearly not the first film to remind us about the necessity of kindness. Several others have come before and there will be many more in future. Yet a film like this couldn’t be better timed. Perhaps this is also a good reminder of what cinema could do to restore kindness in a deeply violent and polarised world.

The writer teaches literary & cultural studies at FLAME University, Pune

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