
Remembering the Indophile Octavio Paz
Beneath the glass top lies a carefully careless heap of papers. One of them is displayed regally, like a king among the courtiers 8212; Octavio Paz8217;s pen scratched a poem on it in the early 1970s. Next to it lies a book, with Latvian artist Adja Yunkers8217; abstracts peppered with Paz8217;s poems. Like two old friends, Yunkers8217; artwork and Paz8217;s words are comfortably confined inside a display box. The art gallery at the India International Centre Annexe suddenly seems crowded with greetings from Paz8217;s friends the world over. The works have been sourced by the Embassy of Mexico in India and the Lalit Kala Akademi for the commemoration of the tenth death anniversary of Paz, Mexican ambassador to India in the Sixties, Indophile and Nobel laureate.
The exhibition has been curated by Marie-Jose and her eight pieces are the most striking of the entire lot of artwork. Each piece is a collaboration between Paz and her: she would convert his poems into colourful, neo-surrealist collages such as 8220;Calm8221;, 8220;The Stamp8221; and 8220;The Weapons of the Trade8221;. The other colourful interaction is between Paz and Husain. Inspired by the former8217;s work The Monkey Grammarian, Husain painted seven pieces using various shades and contours to tell Hanuman8217;s story.
The exhibition is on at the IIC Annexe, Lodhi Estate, till December 9