
Sanjay Dutt8217;s recorded conversation with Dawood aide Chhota Shakeel once again turns the spotlight on Bollywood8217;s ties with the underworld 8212; ties which cannot be shrugged off for they run very deep and in different directions. By Smruti Koppikar, Rajeev Masand and J. Dey
IT8217;S one big cauldron of soup and everyone8217;s in it together but there8217;s too much bubble-and-squeak in there to ignore it. Bharat Shah, Sanjay Dutt, Nasim Rizvi, top stars of Bollywood and across-the-spectrum names from the political world that make many an important decision in the affairs of the state, all treading in a complicated way to a netherworld called 8216;8216;The Underworld8217;8217; to allow it8217;s denizens to leave their pawmarks in the affairs of this world. Certainly not clear broth.
For many innocent years, Bollywood films only took inspiration from the shenanigans of those who were on the wrong side of law. Then, stories began to be based on them, some with remarkable characterisations giving Indian cinema films that are top class. Now, the trend is to capture that world on camera and tell the story of the underworld itself. Somewhere along the way, the two worlds have got entwined, all mixed up. The underworld finds Bollywood too glamourous to resist and too lucrative to stay out of, sections of Bollywood find the underworld too useful or scary to ignore.
So, Bharat Shah was caught talking to Dawood Ibrahim aide Chhota Shakeel, settling an amount that was clearly to be paid against an extortion threat. Sanjay Dutt was similarly caught talking to Shakeel and getting his friends to chat too. Somewhere during that chat, references were made to Preity Zinta and Salman Khan among others. Shakeel talks of how he couldn8217;t harass Zinta for extortion money when he has paid her to work in his film, Chori Chori Chupke Chupke, the film that landed presenter Shah and producer Nasim Rizvi in jail under the dreaded Maharashtra Control of Organised Crime Act MCOCA last year. During the hearing of this case, the Mumbai police presented the Shakeel-Dutt tape-recorded conversation.
| Sanjay Dutt with director Mahesh Manjrekar and producer Deepak Nikhalje at a Vaastav party |
It had been referred to last year in other courts as well, including the Supreme Court where Shah8217;s star counsel, Kapil Sibal, expanded on it. The transcripts of this conversation have been around almost as long as Shah was in jail. Dutt was clearly in contempt of court over his bail conditions, yet he has been at large. He was summoned to the Crime Branch last year along with 30-odd personalities, including stars, who figure in the conversation to record their statements. He did not make the visit, almost everyone else did.
These tapes are among the 32 of the 71 tapes given to the court. And, there are whispers suggesting that the police have acted in a partisan manner to reveal these tapes at this stage, that Dutt8217;s name has been thrown up now as if he were the only Bollywood star to talk to Shakeel. But Mumbai police commissioner M.N. Singh says: 8216;8216;There is nothing partisan. Why would we give the tapes out? They are public document, part of court proceedings. Besides, they were made available to the defence counsel.8217;8217; That means Shah8217;s counsel. 8216;8216;Those looking for answers must find out whose interest would be best served by publicising this conversation now,8217;8217; he says. Shah, of course, denies it all.
Irrespective of the legal implications for Dutt, who is awaiting judgement in the Mumbai serial blasts case, they have brought back the spotlight bang on the relationship between the underworld and Bollywood, and it8217;s political implications. Sunil Dutt, Congress MP and Sanjay8217;s father, was just setting off on his peace mission when the conversation became a matter of public discussion. If nothing, it8217;s embarrassing to him and his party, besides being a personal setback.
The larger issue to be addressed is: at a time when film financing has been opened up to traditional sources of funds like banks, is it possible for Bollywood to shrug off the menacing tentacles of the underworld? Perhaps not, because when the dons want a piece of the distribution pie in terms of overseas rights and music rights and so on, the tentacles run in different directions and very deep. It8217;s no longer a simple tale of the good and the bad; it8217;s become ugly. Very ugly.
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Chhota Shakeel now Big Brother Dawood8217;s No. 2 Story continues below this ad Sheikh Shakeel Sheikh Babu Mohideen Sheikh, alias Chhota Shakeel, was a small-time hoodlum from Temkar Lane in central Mumbai before he fled the country around 1988. He used to run a travel agency at 16 Temkar Lane, till the police suspected that he was into big-time crime and that the shop was just a front for his clandestine activities. By then, he had already established close links with Dawood Ibrahim, although he had not become the second-in-command yet. In the late 8217;80s, Shakeel followed Dawood to Dubai, the new haven for Mumbai gangsters then. There, he found a strong contender in Rajan Nikhalje, alias Chhota Rajan, for the No. 2 post in the D-company. Shakeel8217;s big moment came in 1993, when Rajan split from Dawood and left Dubai. Shakeel then started commanding Dawood8217;s men in Mumbai, a task which Rajan used to look after. Since then, there has been no looking back for this 58217;28221; gangster, who mastered the art of threatening his victims over the telephone. In 1997, when Dawood sought a safer haven in Pakistan, Shakeel followed his mentor and allegedly started working in tandem with the Inter Services Intelligence ISI there. Story continues below this ad Then onwards, Shakeel had a free run, till another trusted lieutenant, Abu Salem, grew in stature. But the intra-gang threat was short-lived, as Salem was forced to flee the gang and his influence over Bollywood minimised. Shakeel has become the D-Company8217;s de facto chief of Mumbai operations, of which Bollywood forms a major part. He is wanted in no less a dozen murders in the city committed in the 8217;80s. |