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Daveed movie review: Antony Varghese Pepe shines as ‘Kerala Rocky’ in this poorly-written sports drama

Daveed movie review: The performances and director Govind Vishnu’s execution of the action sequences help mitigate much of the Antony Varghese Pepe-starrer's narrative flaws.

Rating: 2.5 out of 5
Daveed movie review: The performances and director Govind Vishnu’s execution of the action sequences help mitigate much of the Antony Varghese Pepe-starrer's narrative flaws.Daveed movie review: Govind Vishnu's actioner, starring Antony Varghese Pepe and Lijomol Jose, is now running in theatres. (Credit: Instagram/@daveedmalayalammovie)

Daveed movie review: Although the Malayalam film industry has made many actioners featuring A-listers, only a few have truly defined the genre. Jayan, Babu Antony and Suresh Gopi undeniably stand out as the ultimate action stars. Belonging to different eras, they have constantly cemented their legacies by excelling in roles that demanded high-octane stunts. Now, with Govind Vishnu’s directorial debut Daveed, Antony Varghese Pepe has rightfully earned his place among them. Though he has consistently taken on action roles since his debut, his performance as the boxer Ashiq Abu surpasses his previous work. It even evokes strong Rocky (Sylvester Stallone) vibes, and redefines the scope of action choreography in Malayalam cinema. Daveed proves that excessive bloodshed and gore aren’t necessary to create compelling stunt sequences.

A lazy, irresponsible man who lives off the income of his wife Sherin (Lijomol Jose), Abu’s (Pepe) spends the majority of his time with his little daughter Safa (Jess Kuku) and his uncle aka Kochappa (Saiju Kurup). He also enjoys fishing in the backwaters near their home on poramboke land in Kochi. The closest he comes to having a job is occasionally working as a bouncer at celebrity events; not for the money, but for the chance to take pictures with stars to impress his daughter. However, his life takes an unexpected turn when he reluctantly takes up a gig at an event featuring world boxing champion Sainul Akhmadov (Mo Ismail). There, a heated moment leads to Abu knocking out the Turkish star with a single punch, publicly humiliating him. Furious, Akhmadov later challenges Abu to an official fight. Initially hesitant, Abu eventually accepts, determined to prove himself as a hero to his daughter. He joins seasoned coach Raghavan Aashaan (Vijayaraghavan) and undergoes rigorous training. However, Abu soon realises that Akhmadov never fights just to win, but to finish off his opponent. Though fear sets in, Abu has no choice but to confront it head-on.

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Although Daveed has a solid premise, borrowing liberally from director John G Avildsen’s Rocky (1976), its dramatic moments fail to hold up. But despite the mediocre drama, Daveed’s high-energy action sequences partially compensate for its shortcomings.

Though Govind and co-writer Deepu Rajeevan take ample time at the start to establish the setting, introduce the characters and build the atmosphere, the writing remains largely pedestrian, making it difficult to connect with anyone, including the protagonist. Even the father-daughter bond, though charming at first, often feels forced, particularly because the film doesn’t provide any real justification for Safa’s idolisation of her father. While a child’s admiration for a parent doesn’t always need a logical explanation, as the script goes to great lengths to highlight Abu’s irresponsibility, one is unable to see him through Safa’s eyes.

Watch Antony Varghese Pepe’s Daveed teaser here:

The same issue extends to Sherin as well. While Abu idles away, she bears the burden of managing their impoverished household. Yet, her unwavering support for him comes across as convenient writing rather than an organic choice. The film never establishes why she continues to shoulder these burdens alone while Abu does little to contribute. By failing to explore her perspective meaningfully, Daveed misses an opportunity to add depth to her character and, in turn, to itself.

Even as the narrative unfolds and new characters like Raghavan are introduced, the writing remains subpar, as a result of which key aspects go underexplored. The ghosts of Abu’s past are referenced, but never fully examined. Thus, it becomes difficult to form a genuine emotional connection with the story. Weakly written dialogues only add to Daveed’s woes.

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However, the performances and Govind’s execution of the action sequences — enhanced by PC Stunts’ stellar choreography — help mitigate much of these narrative flaws. Right from the beginning, the film establishes its strength in action with a striking sequence depicting Goliath’s battle against King Saul’s army, culminating in David (Daveed in Malayalam) stepping onto the battlefield and defeating him. From this moment on, Pepe remains deeply committed to his character, seamlessly portraying Abu across different stages of his life. His physical transformation, along with the distinct body language and mannerisms he adopts for each phase, adds authenticity to the character. In Daveed, he has also refined his boxing skills — further beyond what he showcased in director Nahas Hidayath’s RDX (2023) — convincingly embodying “the fighter who never flinches”. The mad-dog persona he exudes in the flashback sequence is equally compelling. That said, Abu’s transformation scene, which serves as the film’s interval block moment — intended to have an “Enakku innoru per irukku“-like impact — could have been significantly more effective with stronger visuals and tighter editing.

Vijayaraghavan once again proves himself to be one of the finest actors in Malayalam cinema, delivering a standout performance. Although he is constrained by a poorly-written character. Lijomol also delivers a commendable performance, while Saiju Kurup and Aju Varghese (in a cameo as the event sponsor) fail to leave an impression. Mo Ismail’s performance, in many ways, mirrors the film itself: electrifying in the ring but let down by weak dialogues and even weaker character development.

The performances and Govind’s execution of the action sequences — enhanced by PC Stunts' stellar choreography — help mitigate much of these narrative flaws. Right from the beginning, the film establishes its strength in action with a striking sequence depicting Goliath’s battle against King Saul’s army. (Credit: Instagram/@daveedmalayalammovie)

Another one of the film’s most significant drawbacks is its mediocre and directionless cinematography, which has affected several key moments. DOP Salu K Thomas’ excessive reliance on tilt shots also detracts from the experience, as does the lack of visual rhythm in the dramatic moments. Rakesh Cherumadam’s editing does little to salvage these issues, while also missing crucial opportunities to elevate the narrative. Justin Varghese’s background score enhances the action sequences, although his overall compositions remain strictly average. However, Rajesh P Velayudhan’s production design stands out and deserves recognition.

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Daveed movie cast: Antony Varghese Pepe, Lijomol Jose, Vijayaraghavan, Mo Ismail, Saiju Kurup, Aju Varghese
Daveed movie director: Govind Vishnu
Daveed movie rating: 2.5 stars

Anandu Suresh is a Senior sub-editor at Indian Express Online. He specialises in Malayalam cinema, but doesn't limit himself to it and explores various aspects of the art form. He also pens a column titled Cinema Anatomy, where he delves extensively into the diverse layers and dimensions of cinema, aiming to uncover deeper meanings and foster continuous discourse. Anandu previously worked with The New Indian Express' news desk in Hyderabad, Telangana. You can follow him on Twitter @anandu_suresh_ and write (or send movie recommendations) to him at anandu.suresh@indianexpress.com. ... Read More

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