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This is an archive article published on August 25, 2023

RDX movie review: An explosive mass actioner that fully lives up to its title

RDX, starring Shane Nigam, Antony Varghese and Neeraj Madhav, is the newest addition to the realm of Malayalam cinema's absolute mass entertainers, encompassing all the essential components thoughtfully placed throughout the movie.

Rating: 3.5 out of 5
RDX reviewRDX movie review: Robert Dony Xavier, starring Shane Nigam, Antony Varghese and Neeraj Madhav in the lead roles, is now running in theatres. (Image: Weekend Blockbusters/Facebook)
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RDX movie review: Can anything be more powerful than a well-executed mass movie to ignite large crowds and immerse them in feelings of immense excitement? Nonetheless, it’s vital for the mass components to be seamlessly integrated into the film rather than being inserted arbitrarily. When these elements flow naturally, there’s no halting the success of a mass entertainer in India, as demonstrated by recent blockbusters such as Rajinikanth’s Jailer, Kamal Haasan’s Vikram, Mammootty’s Bheeshma Parvam and Mohanlal’s Lucifer.

Debutant director Nahas Hidayath’s RDX: Robert Dony Xavier is the newest addition to the realm of Malayalam cinema’s absolute crowd-pullers, encompassing all the essential components thoughtfully placed throughout the movie.

RDX revolves around three youths – Robert (Shane Nigam), Dony (Antony Varghese), and Xavier (Neeraj Madhav), with Robert and Dony being siblings. Proficient in the martial art of Karate, the trio exudes fearlessness, possessing the ability to overcome any obstacle. Yet, a sequence of unfortunate events alter their trajectories, leading them to go their separate ways. Subsequently, they embark on individual journeys until fate orchestrates their reunion.

In contrast to other similar films that tend to excessively emphasise one actor and their role, primarily based on their star value, the well-crafted screenplay of RDX, penned by Adarsh Sukumaran and Shabas Rasheed, effectively ensures balanced significance for all three lead characters.

Even the individual intros of Robert, Dony, and Xavier at the outset, set in 2005, seamlessly align with their current life situations, while still catering to the desired mass appeal. Conversely, in the flashback set in the late 90s, they are introduced together, again in a dynamically stylish manner, unmistakably highlighting the unity among the trio.

A key highlight of RDX’s script is its initial sequence, spanning several minutes, which aptly lays the foundation for the forthcoming events. This sequence adeptly introduces a substantial number of main characters, delving into their traits and the bonds they share.

In the present time frame of RDX, the trio is depicted as individuals who have grown more composed and mature. In contrast, the flashback highlights their previous selves and the evolution that has shaped their current identities. The film’s script strategically arranges moments to create a seamless narrative progression leading to a powerful climax. This skilful script elevates the story, penned by director Nahas, beyond its average quality which shares similarities with common action, revenge dramas. A more precise trimming of the script would have helped the team in making a film with even greater impact, considering that certain instances in the present timeline could have easily been omitted.

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Simultaneously, director Nahas’ conception of RDX deserves notable commendation. His remarkable control over the film and the impressive manner in which he envisioned the project elevate RDX to meet its namesake, leaving an explosive impression on audiences. Without hurrying through the action sequences and also giving due importance to the emotional dimensions, Nahas succeeded in crafting the finest masala movie of the year so far.

The stunt choreographer duo Anbariv undeniably shine in this actioner. Their exceptional work in movies like KGF, Vikram, and Sarpatta Parambarai resonates in RDX too, where each successive fight scene surpasses the previous one. Additionally, their attention to detail in portraying the trio’s youthful energy in the flashback and the present-day composure further enhances the film’s appeal. Leveraging the full potential of Karate and the remarkable agility and skill of the three lead actors, Anbariv has gifted Malayalam cinema with a truly unforgettable action experience.

Shane, Antony, and Neeraj deliver impressive performances in their respective roles, although the story’s lacklustre nature prevents them from having standout moments to truly showcase their acting prowess. Through RDX, Shane effectively silences his critics who label him as the ‘Depression Star’, showcasing his potential to achieve remarkable heights. Lal, Mahima Nambiar, Aima Rosmy Sebastian, Maala Parvathi, and Baiju also shine, despite the underwhelming narrative not providing them with substantial opportunities.

Although it’s natural to anticipate intense action from Babu Antony in any film he’s a part of, RDX fails to deliver that excitement until the conclusion, leaving the audience worried. Nevertheless, the movie astounds everyone by unleashing him towards the end, creating a truly exhilarating moment that justifies the wait.

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Alex J Pulickal’s cinematography effectively captures the movie’s atmosphere, particularly the dynamic action sequences. However, it’s Sam CS’ background music that truly stands out, complementing the moments in an exceptional way. Regrettably, the omission of Jakes Bejoy’s song “Halaballoo” from the final cut somewhat dampens the mood, as it had the potential to enhance the overall experience.

Although Chaman Chakko’s editing impresses at many junctures, it somewhat falters during certain fight scenes due to frequent cuts that negatively impact the viewing experience.

In a recent conversation with The Indian Express, the movie’s producer Sophia Paul said that they came across RDX while searching for a project that encompassed action, scope for being multi-starrer, family-oriented entertainment, and choreographed songs suitable for big screens. Undoubtedly, RDX fulfils all the expectations she and the audience had for this festive period.

In short, RDX serves as the gift that Malayalam audiences have longed for — a theatrical entertainment that matches the electrifying experiences found in other languages.

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RDX movie cast: Shane Nigam, Antony Varghese, Neeraj Madhav and Mahima Nambiar
RDX movie director: Nahas Hidayath
RDX movie rating: 3.5 stars

Anandu Suresh is a distinguished Deputy Copy Editor at The Indian Express Online, where he serves as a leading voice in cinematic critique and industry analysis. With over six years of rigorous experience in the media landscape, he has established a reputation for incisive, long-form commentary that bridges the gap between commercial cinema and art-house narratives. Experience & Career Anandu’s professional journey is rooted in a deep academic and practical foundation in the humanities and communication. He holds a Bachelor's degree in English Language and Literature and a PG Diploma in Journalism and Communication. Before ascending to his current editorial leadership role at The Indian Express, he honed his skills on the news desk of The New Indian Express in Hyderabad. His career is marked by a transition from core news operations to specialized cultural journalism, allowing him to bring a structured, news-oriented rigor to the entertainment beat. Expertise & Focus Areas While Anandu’s portfolio spans the global cinematic landscape, he is widely regarded as an expert in Malayalam Cinema. His unique approach to film criticism is defined by: Cinema Anatomy: A dedicated column where he deconstructs the structural layers of films to uncover deeper sociopolitical meanings. Marginalized Narratives: A commitment on-ground and analytical reporting on how cinema represents or fails marginalized communities. Critiquing "Performative Wokeness": Rigorous analysis of modern filmmaking trends, identifying the difference between authentic representation and superficial social commentary. Multimedia Discourse: Actively fostering continuous public dialogue on cinema through digital platforms and archival research. Authoritativeness & Trust Anandu Suresh is a trusted authority in the film journalism circuit, frequently providing exclusive coverage from major international festivals like the International Film Festival of Kerala (IFFK). His work goes beyond standard reviews; he is known for holding the industry accountable, as seen in his extensive reporting on sensitive issues like the 2017 Kerala actress assault case and the legal complexities surrounding film credits. By prioritizing "Journalism of Courage," Anandu ensures his readers receive commentary that is not only intellectually stimulating but also ethically grounded and factually robust. ... Read More

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