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This is an archive article published on September 27, 2013

The Oscar Code

The best film or the one that has the most Chance of winning — what is the criteria for sending a film as the country's official entry for the Foreign Language Film category at the Oscars? We ask the experts

Gautam Ghose<\b>

Head,India’s Oscar selection Committee

The selection process for films to the Oscars is not complex. A jury selects a film based on what the majority members decide. At present,we have a central jury of 16 members comprising the Film Federation of India representing a holistic group of voices from regional cinema. Each member shortlists their film and based on that we make the final selection.

But this is an absurd mechanism. Watching about 25-30 films in a span of five-six days and then making a selection is difficult. It would be easier if we can have a regional panel selecting a set of films first. And then we can have a final round of six. The Academy never specifies that you need to have an award-winning film or festival-centric film as the official entry.

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All the 22 films this year were good. At the end,one needs to decide on one film only. So it is natural that a particular filmmaker feels offended if their film is not selected. We should suggest to the Academy to allow five entries from India because of the size of our film industry. And contrary to popular belief,there is no influence of lobby groups in the selection. There was no interference from any section of filmmakers as the selection was very democratic. But the fact is that lobby groups are unavoidable in our country. When I headed the jury for the National Film Awards,I found there was a strong regional feeling among filmmmakers and that is the nature of our country.

And as in every competition,there is a winner and a loser. In India we make over 1,600 films annually. Compare that to the kind of cinema being made across Europe and South Asia and if you see the percentage of films,which can compete in film festivals,it is quite apparent that we have not made good films. That is another problem which we have to think about. We have our limitations too and we must look at the content of our cinema before we speak.

Shyam Benegal<\b>

Filmmaker

There are two methods of sending films for the Oscars. One method involves sending films directly to the Academy of Motion Pictures Arts and Sciences; the other is sending it through the Film Federation of India (FFI). In India,films have been sent through the latter approach. And therein lies the problem faced by filmmakers because their films do not end up being chosen by the FFI. Personally,I believe that sending the film directly to the Academy is better because it offers more scope for a film to be entered into another category other than Foreign Language Film. Filmmakers should try and be more proactive in releasing their films in the US,so that gives the film more exposure.

The issue is not whether the FFI should be selecting a Best Film or the most popular film as India’s official entry to the competition. That is a subjective issue because it is the jury members who decide whether a film gets sent or not and you or I may not agree. The filmmakers should have more control over their films and not be at the mercy of few jury members alone. Only a filmmaker can understand the potential of his or her own product. The point is that very rarely films sent by the FFI have been nominated in the Foreign Language Film category. Even three of my films were sent as India’s entry — Nishant,Manthan and Bhumika,but they didn’t come anywhere close to winning. A closer look at the

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kind of films which have won in the Foreign category over the years will throw light on the kind of sensibilities for the Oscars.

All the six films shortlisted by the FFI this year had the makings of being India’s entry. But the FFI must make their final selection based on the platform for which they are sending the film. Oscars requires a different kind of sensibility of films than any other international level festival.

— Debate conducted by Debesh Banerjee

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