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Amitabh Bachchan, Rajesh Khanna were locked by Hrishikesh Mukherjee on Anand set, scolded for talking on phone: ‘Producer loses money while…’

Veteran actor Raza Murad shared an anecdote about Hrishikesh Mukherjee admonishing Amitabh Bachchan and Rajesh Khanna during the shoot of Namak Haraam.

Hrishikesh Mukherjee and Amitabh BachchanHrishikesh Mukherjee and Amitabh Bachchan worked together in eight films. (Photo: Amitabh Bachchan/Twitter)

It’s rare for any director to reprimand superstars, but filmmaker Hrishikesh Mukherjee didn’t hesitate to scold not one but two of Bollywood’s biggest icons—Amitabh Bachchan and Rajesh Khanna—on the set of his 1973 film Namak Haraam. In a recent interaction, veteran actor Raza Murad shared an anecdote about Mukherjee admonishing both stars during the shoot of the song “Suni Re Sajaria Sajan Bin.”

Speaking on the YouTube channel Rosetrailblazer Podcast, Raza recalled how the incident unfolded. He explained, “Back then, telephones used to be in the studio’s office. There weren’t any mobile phones at that time. The shot was ready, and Hrishikesh ji called Rajesh Khanna to the set. But an assistant informed him that Rajesh ji was on a call. Rajesh Khanna eventually arrived, and Hrishikesh ji said, ‘Arey aao, shot ready hai. Chalo, baith jao (Come, the shot is ready, sit down quickly).’”

Raza continued, “When Hrishikesh ji called Amitabh Bachchan to the set, the assistant again informed him that Amit ji was also on a call. When Amit ji finally arrived, Hrishikesh ji didn’t hold back. He reprimanded both Rajesh ji and Amit ji, saying, ‘Do you know that every time you go to make a call, the producer loses Rs 4,000 for each minute you spend talking? You may think it’s just five minutes, but that costs the producer Rs 60,000 in total. From now on, no one steps out until the song is completed.’”

The veteran actor also revealed how Hrishikesh Mukherjee ensured his directive was followed. “Hrishikesh ji asked the watchman to put a lock on the studio door and instructed him to open it only when the song’s shoot was finished. Nobody left the set until 12:30 a.m., when the song was finally completed,” Raza said, adding, “Who has the courage to do something like that now?”

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