Veteran film-maker Sai Paranjpye talks about her play Aalbel,her break from films and the remake of Chashme Buddoor
She has given Indian cinema some of the most simple yet extraordinary films like Katha,Chashme Buddoor and Sparsh. Sai Paranjpyes cinematic work remains testimony to the fact that audiences can fall in love with the protoganist without a larger than life portrayal of the character . On Wednesday evening,at the Vinod Doshi Memorial Theatre Festival,Paranjpye treated theatre lovers to her style of narrating stories through her Marathi play Aalbel. Last year,the play had not only marked the return of the National Centre of the Performing Arts (NCPA) to theatre production but also of this noted writer and filmmaker. Paranjapye was back in theatre after was after a gap of two decades.
Aalbel is about three murder convicts,who happen to be together in one jail cell. All three characters are completely different from each other. Bappa is a well-read teacher,an erudite and scholarly fellow runs a school of poor tribal girls in a village. He ends up in jail for murdering a rapist who was trying to assault and rape his visually challenged daughter. The second one,Sada,is again a nice human being who wants to lead a good life but he happens to kill his wife in a fit of rage. The third one,Bhairav,is a hard-core contract killer, elaborates Paranjapye. Though the three inmates are initially wary of each other,their relationship develops as the play progresses. They share their stories,angst and experiences with one another.
Staying away from film-making wasnt a conscious decision,Paranjpye comments. Film-making is a difficult,demanding and time-consuming process. When one is new and is just venturing out,it is easy to go around and experiment,but once you have made a name,it is difficult to compromise on ones principles,she opines.
Besides,I prefer writing my films. I always say that Im a first-rate writer and second-rate director. Writing takes a lot of time and research, says the veteran who is known for doing thorough research on her films subjects. For instance,for the film Papeeha that was based on tribals,she literally stayed in a forest for almost a year. I remember eating red ant chutney with the tribals during my stay in the jungles prior to Papeeha, recalls the 74-year-old. Similarly,for the film Sparsh,that won the National Award in 1980,she did extensive research about the education of the visually-challenged. The film-maker now feels that she has done her bit and is happy viewing the work of youngsters these days. She admits that she is currently working on something but I cannot reveal anything more about it, she says.
Paranjpye also refrains from commenting on the remake of Chashme Buddoor. The off-beat comedy of the 80s is being re-made by David Dhawan and will star Pakistani singer-actor Ali Zafar and South-Indian film actor Siddharth. I have nothing to do with the film and I dont want to talk about it, she says firmly.
During her double stint as the chairperson of Childrens Film Society of India (CFSI),she made four films with CFSI. I enjoyed the period at CFSI. Some of our films were appreciated and Jadoo Ka Shankh and Sikander even won awards, she recalls. Talking about the current position of childrens films,she says,I dont think there is any dearth of ideas but one should not forget that since the ministry is involved here,there are a lot of rules,regulations and procedures to be followed for any project. I have faith in the current chairperson and I feel that CFSI is in good hands, adds Paranjpye.