Different Strokes

Suspended from the ceiling by string in the centre of the gallery are five circular wooden sculptures,one for each element,which,Maskara says,could also be thought of as line drawings.

As is often seen in Venkanna’s work,the figures in the paintings are nudes. The drawings on each canvas contain several layers of meaning,exploring the basic idea of these elements,while also exploring the things that might challenge their existence. Yet,this show might be one of the most conventional in terms of content that the gallery has hosted in a while. The last show,for instance,was a solo by Faridabad-based artist Shine Shivan,who explored questions of gender identity through his large,constructed fantasy creatures.

When Maskara opened his gallery in 2008,the idea,he says,was never to be different or host shows that were labelled different. The space was inaugurated with a show by Canadian artist Max Streicher,whose giant,inflatable floating dolls filled the gallery at the time. “It was our mission to show art that would push boundaries,but we have never focussed on the medium our artists use,” he says.

A former employee of Microsoft in Seattle,Maskara opened the gallery out of interest. “The gallery was my way of getting close to the creative process and working with artists and their ideas,” he says. It is an entirely private venture,which has given him complete independence and the freedom to exercise his personal choices.

The gallery has since hosted exhibitions consistently and also been the venue for a number of artists’ first solo shows,including Venkanna,Shivan,Delhi-based Priyanka Choudhary and Jaipur-based Prashant Pandey. Each of them consequently believe Maskara has contributed to their journey as artists. “For me to have my first solo show — an installation of scaffolding — in that space was very important,” says Choudhary. “The gallery space is so inspiring and Abhay is more about the art than anything else.” Venkanna,too,believes likewise. “Abhay and the gallery have been genuine contributors to my journey. He’s more interested in the artists’ ideas than the mediums they use. This has helped me tremendously.”

With “Pancha Mahabhuta”,the gallery has also opened a smaller space towards its back end. The two sections are partitioned by a wall. This space may,as it is now,feature works by artists other than the ones being showcased in the main space,or not,as the show demands. “It’s a flexible space,but it will never compromise the main exhibition space and priority will be given to the artist,” says Maskara.

HIGH FIVE

TALK lists some of the attention-grabbing shows held at Gallery Maskara

Priyanka Choudhary’s first solo exhibition,“Nul to Now”,was held in August 2010 and comprised a gigantic scaffolding installation among other things.

February 2011 saw a solo show by Belgian artist Ruben Bellinkx,titled “The Trophy”,consisting almost entirely of video projections.

In July 2011,Venkanna’s solo show at the gallery,“Open Studio: Printmaking”,was a seven week-long residency during which he created works using printmaking while being watched by visitors.

Titled Hold On,a group show by artists Josh Smith,Mansoor Ali,Marek Ranis,Satellite Bureau and Stuart Keeler that opened in November 2011,explored the idea of holding on in a constantly evolving world.

Narendra Yadav’s third solo show,“Brought Up As Rabbit”,was held in March 2012 and talked about the “western bias” among other things.