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This is an archive article published on March 10, 2010

Crash and bore

Thoughts of suicide at a fashion week? This may be a strange idea to entertain in your head while in the midst of the glamorous circus that is the LFW.

Thoughts of suicide at a fashion week? This may be a strange idea to entertain in your head while in the midst of the glamorous circus that is the LFW. But we all have our strange obsessions. Kallol Datta’s preoccupation with morbidity was well on display last season,with prints of landmine amputees featured on the garmets. This time round,the designer went deeper into the dark side with his Remission collection,featuring the suicide,kitty kat,prison slate and road kill series. The clothes were typical Datta—stubborn in their defiance against moulding to the human form and bordering on the ‘unpretty’. But that is the designer’s forte—he flouts conventional notions of beauty to produce clothes that are unique and wonderful conversation starters. We love his cheeky prints and total disregard for the rules of the glamour world.

Mortality and destruction was on everyone’s mind. Delhi girl Rimzim Dadu addressed thoughts of death,guns and cold steel bullets in her collection featuring leather jackets and shredded cotton dresses. Dadu once again played around with textures,this time using broken rivets,zippers and metallic rings to give her garments interesting variations. The best items,though,were the bomber jackets — looped,woven or corded,these could be translated into wardrobe classics.

Anand Kabra’s designs,inspired by the story of Draupadi and the river Krishna,named after her,yet again showcased the designer’s penchant for storytelling. Using the colours blue,black and nude,Kabra told the tale of a river that nurtures and destroys. The flowing skirts and kaftans,solidly constructed trenches and slouchy pants work well as separates,which was the designer’s stated intention. But we wish he hadn’t clubbed together resort,fall and Indian wear into one collection—it just served to confuse.

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It was Sashikant Naidu’s collection,Parvati that stood out on the fourth day of LFW. Fluid and flattering,the clothes made of cotton,tussar and mul had everyone sitting at attention. We loved the one-shoulder tunics and kaftans in muted shades,but it was the saris with hand painted kalamkari work that had us asking for more.

Overall,though,the fourth day fell flat (no wonder morbid thoughts were floating around so much). There were few celeb sightings —we actually saw shutterbugs chasing Tanaz and Bakhtiyaar Irani,so one can only imagine how the scarcity of well-known faces affected the photographers. “Even the press coverage is so bad because everyone only wants to spot celebrities,” we heard one designer complaining bitterly. And although there was plenty of wine and cheese for guests at the Skoda Lounge,nothing could eliminate the fashion fatigue. Most of the collections seemed highly repetitive and low on innovation. Masaba Gupta’s line yet again feautured the vivid purples,pinks and greens from her debut,while Myoho’s Kiran and Meghna yet again showed their preferred earthy tones and A-line dresses.

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