This is an archive article published on March 4, 2009
Almost Famous
An actors life is a busy one; especially in a country like cinema-obsessed India. When I call Kunal Khemu to fix a date for an interview,he sighs with regret and says,Im busy doing promotional events for my upcoming releases.
With two releases over the next couple of weeks,the actor is on a roll
An actors life is a busy one; especially in a country like cinema-obsessed India. When I call Kunal Khemu to fix a date for an interview,he sighs with regret and says,Im busy doing promotional events for my upcoming releases. You can come and meet me,but Im not sure well really get to talk, he adds. I take up the challenge of meeting the super-busy star while he promotes Dhoondte Reh Jaoge at Fun Republic,Andheri (Mumbai).
Khemu may barely be called a star in Bollyoods galaxy,but the ring of bodyguards that surrounds him as he enters the venue,would have anyone believing that hes one of Hindi cinemas legendary Khans.
The movie,Khemu informs me,is an out and out comedy. Khemu and Paresh Rawal play a pair that is simply out to make money in any way possible. They formulate plan after plan to make money,but all of them fail,they even set out deliberately to make a bad movie as part of their crazy formulae, he says. And does that plan work? He replies,Id much rather not give that out. You should just catch the movie.
The promo of the movie is equally zany Khemu and his co-star Soha Ali Khan look on,as contests for an unresponsive audience are announced. The challenges range from answering questions about the movie to finding music CDs hid around the venue.
Khemu started out in the industry as a child actor,with movies like Hum Hain Rahi Pyar Ke and Raja Hindustani. His first movie as an adult actor was Kalyug,about the pornographic film industry and how it devastates peoples lives. His next was a Madhur Bhandarkar film,Traffic Signal,about the life of people who inhabit Mumbais pavements. Khemu informs he doesnt deliberately set out to work in movies with a social message. I choose movies that have an interesting plot, he says,the director is also important,but ultimately I base my decision on the storyline.
Khemus work in all his movies so far has only got positive reviews from critics,even though box office success eluded most of the projects. Unlike many industry people,hes honest enough to admit that critical acclaim does matter to him. Of course mass popularity is important. But Id be lying if I said that I didnt appreciate the good things that critics have said about me. I feel motivated by it.
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But tax him about his lack of solo hero roles and he goes on the defensive. I have done such projects Traffic Signal,for example. I agree that theyre not typical hero roles,but the days of those kind of roles is over anyway,with the exception of a few like Ghajini.
As Khemu and Khan throw up fistfuls of fake cash,stamped with the movies logo,into the air and the crowd scatters to collect them,one cant help wondering if there is any truth to the rumours of the two being a couple. I dont want to give you the same cliché answers,but the truth is that were just good friends, Khemu clarifies. He may not be a star yet,but he sure knows how to handle questions like this one.
Pooja Pillai is a Senior Assistant Editor at The Indian Express, working with the National Editorial and Opinion section. Her work frequently explores the intersection of society, culture and technology.
Editorial Focus & Expertise
Pooja’s writing spans several key domains, often blending analytical commentary with cultural critique.
Art & Culture: She writes extensively on cinema, books, and the evolving landscape of arts and entertainment.
Technology & Society: Her work examines the human impact of the gig economy, the rise of AI in creative fields, and the cultural shifts driven by digital platforms.
Food & Lifestyle: She often uses food as a lens to explore history and politics, covering everything from the origins of pantry essentials to the impact of nutrition policy.
Politics: She closely tracks political developments in South and West India and provides commentary on international political transitions, including the shifting landscape of American politics.
Multimedia & Podcasting
Pooja is a prominent voice in the Indian Express’s digital ecosystem. She is the host of 'DeshKaal with Yogendra Yadav', weekly video podcast where she facilitates deep-dive conversations on Indian democracy, social movements, and current political affairs.
Notable Recent Works
Cinema & Identity: “SRK@60: Why Shah Rukh Khan is Bollywood's last, and only, superstar” – an analysis of stardom and the changing face of Indian identity
Global Politics: Commentary on the Trump administration’s misguided “war on woke culture” via typography and analysis of the visual semiotics of Volodymyr Zelenskyy’s attire during successive visits to the White House.
Art & AI: “An unequal music: AI is lowering barriers at the cost of music itself” – a critique of how technology is redefining artistic value.
Professional Presence
Pooja is active on X (formerly Twitter) and Instagram, where she shares her latest columns and editorial insights.
Her full archive and latest updates can be found on her Indian Express Author Profile. ... Read More