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Had Franco-Afghan writer Atiq Rahimi’s unfulfilled project been made,it would have talked about a peaceful Afghanistan ,an Afghanistan before the Soviet War and the Taliban.

Had Franco-Afghan writer Atiq Rahimi’s unfulfilled project been made,it would have talked about a peaceful Afghanistan ,an Afghanistan before the Soviet War and the Taliban. It would have also talked about Kolkata of heydays,a city where people from different corners of the sub-continent came to fulfill their dreams. The project would have also been one writer’s tribute to another. But Rahimi’s film adaptation of Rabindranath Tagore’s short story Kabuliwallah,was not meant to be. “The project has been shelved indefinitely. I had come down here for location scouting too,but now I don’t know whether it will be ever made. It pains me to talk about it,” says the author who was in the city to launch the Bengali version of his French novel Syngue Sabour.

“I wanted to show Afghanistan before the Soviet war in the film because that is largely a forgotten period in modern Afghan history. For many people in the West,Afghanistan is synonymous with the Soviet war and the Taliban. I wanted to remind people that Afghans had managed to live in peaceful anonymity for decades,that the history of the Afghans in the twentieth century has been largely pacific and harmonious,” says the Afghan writer who had to take refuge in France following the Soviet invasion of Afghanistan in 1979.

More than 20 years later,in 2002,Rahimi returned to his native land to be a part of the the country’s largest media group,Moby Group. Today he divides his time between Kabul and Paris. Negotiating the two worlds with a confidence that only a history such as his could have inspired. “Kabul was a thriving cosmopolitan city with its vibrant artistic,intellectual and cultural life. There were poets,musicians,and writers. There was also an influx of Western culture,art,and literature in the ’60s and ’70s. Then of course there was Paris of my youth. It wouldn’t be a mistake to say that I had a quite an eventful life,” says Rahimi.

His experiences are reflected in his books which provide astute depictions of his country without being overtly sentimental. In his latest book Syngue Sabour,he talks about the grievance of one woman which is,as Rahimi’s contemporary Khaled Hosseini says,is a proxy of millions. “Before the Taliban,women were a vital part of the economy in Kabul . They worked as lawyers,physicians,college professors,etc.,which makes the tragedy of how they were treated by the Taliban that much more painful,” Rahimi.

That’s probably why Rahimi’s books have a strong,emphatic feminine voice. “I have a feminine side to me,” he laughs. But there is a rejoinder. “Coming from the background that I come from,I can’t help but write about women. After all,they are the first victims of a war,” he says.

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