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After studying Indias two masked theatre forms,a new book makes a pitch for a legislation to preserve traditional art.
The thought of giving up dancing horrifies Khirod Singh Munda,a Purulia Chhau exponent. If we stop dancing,we would be left without a soul, he says. For this 55-year-old considered to be one of the few artistes who have preserved the purity of this traditional art form dance is a way of life. Even though practising this art form for more than four decades has not been financially rewarding,he is hardly complaining. I dont need money to promote this art form. We cant attach monetary value to it, he says.
The book which has been put together in association with Observer Research Foundation (ORF),Asia Society,and INTACH seeks to identify and highlight Indias intangible culture heritage (ICH) such as oral traditions,languages,performing arts,social practices and traditional craftsmanship. More importantly,it analyses the steps taken by the government to preserve them,the problems faced by the artistes and comes up with recommendations to tackle them. While people understand that many of our cultural expressions are vanishing,they do not comprehend the loss of identity and livelihoods.
For the book,ORF chose two theatrical dance art forms that use masks. Srinivasan says masks are symbolic of a way of life. The book also keeps the reader visually engaged through a combination of performance photographs and those depicting artistes life. This allows the reader to realise that the life of artistes and artisans is not so glamorous behind the colourful costumes, says the author.
One of the primary concerns expressed in the book is related to passing on this tradition to the next generation. Discouraged by low income,several Chhau artistes have refrained from training the next generation in the family art. A case in point is Padmashri Gopal Prasad Dubey. This dejected exponent of Seraikella Chhau has never taken interest in teaching the art to his son even though he trains other youngsters. This book also suggests framing of specific legislation by the Indian government,akin to China and Japan,to protect artistes.
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