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16/330 Khajur Lane. This was the address of a worn-down house in Karol Bagh with a signboard slouching on the gate that read Beware Dogs. In the summer of 1991,four boys walked into this place and started jamming together. They would become one of Indias most popular contemporary fusion bands,Indian Ocean. But in 2009,the band had to move out to a new location in Sainik Farms as the house was being sold. National award-winning filmmaker Spandan Banerjee,had documented the displacement and concept of home in his film called Beware Dogs. He tried it again in the National award-winning You Dont Belong which had him sleuthing for the genesis of the popular Bengali song Lal paharir deshe ja. Now,almost four years after that film,Banerjee is exploring the concept of home yet again. This time,he calls it To-Let,in which Banerjee tells the story of moving,renting and living in the Capital.
I am an eternal tenant in Delhi,happy to move and constantly delighted to revisualise my space. I have shifted umpteen houses in the city. In the course of any conversation between sets of people,one or the other person is moving houses or looking for one or shifting or leaving. This constant flux intrigued me, says Banerjee,about the 60-minute film. A Public Service Broadcasting Trust film,it was screened at New York Indian Film Festival last week.
Banerjee made Delhi his home almost 15-years-ago. Home,belonging and rootlessness are ideas that Rupleena Bose (the scriptwriter) and I like to explore. It is a concept which is fluid,real and imaginative. Its a space where stories live, says Banerjee,who reveals that the film is about looking closer and turning the camera to simple and real things.
Shot primarily in Delhi and Kolkata,the film gets into the lives of a couple with five cats,a single man,a music band and the filmmaker himself as everyone tries to understand what home means in the continuous cycle of migration and flux. Each of them are at various stages of unsettling,moving,shifting as a part of his/her displaced city identities, he says.
Banerjee has used the surreal world of cats,a theme that appears frequently in Japanese author Haruki Murakamis writings,to define displacement. Cats are a part of the lives of a couple caught in the middle of resettlement. They are one of the characters of the film and are a recurring motif of settling,moving and change. They also have a curious relationship with urban spaces and that is also what I have tried to explore, says Banerjee. As the story unfolds,the couple tries to make this transition as natural as possible for the cats. The music band loses their jampad in Karol Bagh after 18 years and moves to a completely different part of the city,and the single man gets permission from his landlord to screen films for friends on the terrace.
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