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When a group of 25 artists from Singapore,Cambodia,India,Laos,Vietnam and other South-east Asian countries arrived in Darjeeling in June last year,some of them were apprehensive,others fearful. My mind was blocked and I was afraid that I would not be able to find my way around the place, remembers Nataphon Na Nakorn from Thailand. Armed with paints and brushes,the artists roamed the hills and interacted with people for a week and gradually became aware that the locals culture was quite similar to their own. Fifty works of art emerged out this interaction,sporting motifs such as tea,bamboo,and the iconography of Buddha. Forty-four of these works are on display at Azad Bhawan in an exhibition titled Merging Metaphors.
Organised by ICCR,the residency and the exhibition celebrate the decades-long solidarity between India and ASEAN (Association of South-east Asian Nations) countries. In recent times,we have been looking westwards,rather than east. This exhibition is a way to look towards the east,in a contemporary manner. Its a part of Indias Look East policy, says Sushma Bahl,who has curated the show with architect and art consultant Archana B Sapra.
Selecting ASEAN artists was complex as we dont know much about their art. Once we shortlisted them,we thought it was best to go away from Delhi. For a majority of them,this was their first visit to India and they were all apprehensive. But they related with a system that depends on agriculture and the terrain among other factors, says Bahl.
Among the Indians,Seema Kohlis Golden Womb series recreates the cycle of life through rich imagery of female deity-like figures. Tapas Sarkar picked up a parrot from a zoo in Darjeeling,and recreated it in a Kalighat painting style,while Binoy Varghese uses the idea of migration in his lonesome female figure titled Refugee in Own Land.
The exhibition is being held at
Azad Bhawan,ITO,till July 4.
Contact: 23379309
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