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The Final Countdown

The sculptures are being given a last minute touch-up,the titles of the paintings are still being reworked and the positioning of the posters is still being debated.

Ready to explore a wider canvas,students of fine art showcase their work in an exhibition

The sculptures are being given a last minute touch-up,the titles of the paintings are still being reworked and the positioning of the posters is still being debated. A sense of euphoria is in the air at the exhibition hall of the Government Arts College,as students of the masters course in fine art get ready for “Master Strokes”,a part of the festivities for the college’s diamond jubilee celebrations. “It’s a proud moment for all of us,as we look forward to many more creative ways to celebrate this special occasion,’’ smiles DS Kapoor,principal of the college,as he views 150 works of students from applied art,painting,graphics and sculpture.

It’s a well-planned exhibition,with most students brainstorming with teachers and friends to work on concepts,expressions and the display. “This event gives us a chance to showcase our creativity and what we’ve learnt in these years. It is also an opportunity to get feedback,both from viewers and other artists,’’ says Nidhi,who has a series of paintings on nature. Many students have attempted poster art and wallpapers with themes like environment,saving nature and water. Shaina Nayyar’s save-the-environment campaign uses 3D images to drive home the point. “It’s a different way to express my creativity,’’ says Nayyar,looking at a poster of Hitler,with a red tikka on his forehead.

Many students have used etching and aquatint to work on series that are not large in size,but have sensitive themes. One that stands out is Meera Chowdhury’s Child Nirvana (etching-aquatint) with cycle tyres and three children oblivious to the world race. A striking work,for its size and colour,is a black-and-white painting of a woman,by Aparneet Mann. The work is split into two parts — the upper-half depicts her forehead and eyes; and the lower part focuses on her nose-ring.

There are sculptures in wood,fibreglass and metal. Parul Dar’s copper-coated sculpture,in the shape of an eye,depicts a woman in labour pain. It’s her psychology that Dar attempts to depict intricately. “I just don’t see her in pain,but view her sensually and want to capture her various thoughts at that time,’’ says Dar.

The exhibition is on till August 31.

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