THE legal wrangle over cricket telecast rights has gone on too long (do you even remember when it began? Last August, just before the Australians kangarooed across the country). Surely there must be a quicker way to settle such battles when public interest is at stake? The Challenger one-day cricket tourney was not contested on TV: who among us would not have enjoyed watching newcomers Dhoni, Dhawan etc treat the cricket ball with utter disrespect?
We’ve been watching our politicians in action and it hasn’t been a particularly edifying sight. In this season of assembly elections, poll specials continue but without last year’s enthusiasm. It’s as if we are going through the motions, although how excited can anyone get about elections in Haryana? Still, there is a lot of noise about nothing. Take Star News Kahiye Netaji: it’s one of those public forum events with politicians pitted against the people. In reality, it’s just a cacophony of voices with everyone speaking (nay shouting) simultaneously and no one listening to anyone else, least of all the anchors who, realising they cannot beat the politicians, join them in screaming. So loud and pointless.
When you are not in a particularly happy frame of mind, television is not something you want to watch. It is so joyless it will make you cry even if you were feeling like sunshine. Yes, it’s that bad. You do not expect anything else of the news channels—news is supposed to be bad, sad—but what passes for entertainment is about as cheerful as a dirge.
The Indian audience has redefined the idea of entertainment. You have to wonder at us: the top 30-40 shows do not share a smile between them—unless it’s Mini Mathur’s and Aman Verma’s on Indian Idol (Sony). Even there, judges Sonu Nigam, Anu Malik and Farah Khan hesitate to express their appreciation of worthy performances with anything more than a buttoned-down suppressed movement of the lips. Why even Jassi (Sony), who was always good for a few laughs when she started out, is now weepy and violent in her actions and emotions.
If you watch other serials, you will see characters either fighting or crying when they are not conniving against each other. The only time one of them smiles is when they are contemplating wickedness. It’s the baddies who enjoy themselves, like Komolika. The good gals and guys like Parvati and Om, Tulsi and Mihir, Kashish and Sujal, Dr Simran and Abhi etc are never permitted anything but suffering. Kasauti’s Prerna had a momentary lapse into sexual ecstasy with Mr Bajaj but she had to pay for it with losing her son.
The latest tragic couple to make an appearance is our lives is Kavya and Anjali (Kkavyanjali, Star Plus) and you know this can end only one way—badly—when the subtitle proclaims ‘woh mile thhe bichhadne ke liye’. Within the first two weeks the heroine is dead and the hero dying of love. This dard bhari kahani is enjoying unprecedented success.
The only channel that wants us to be happy is SAB with its round-the-clock sitcoms—old and new. That’s why nobody wants to watch it—or leastways many fewer than those who want to drown in the buckets of tears the female leading ladies have wept over the years. Strange phenomenon: life in India is already pretty depressing, you’d think just the living is enough of a catharsis, we don’t need more misery to purge our woes. But no, it’s the exact opposite: we want to watch people suffer and the more they suffer the more enjoyment we appear to derive. We want characters to be subjected to untold wickedness/misery (and then thank our stars, we’re better off?). In any other country, a comedy like Khichdi or Kareena Kareena would be a top-rated show. Not in India.
What’s wrong with us?