
UNLIKE most actresses who just don’t get along while working together on a film, Kareena Kapoor and Rani Mukherjee get along famously. Although there has been some tension between Rani and Karisma Kapoor in the past (the latter tried to oust the former from Sajid Nadiadwala’s Har Dil Jo Pyaar Karega but was herself ousted in favour of Preity Zinta), Kareena gets along fabulously with Rani. Apparently the two hit it off while shooting for Mujhse Dosti Karoge in Switzerland. And incidentally, Rani is one of those girls who seems to get along with all her female colleagues. Preity Zinta is an old pal as is Aishwarya Rai, who is Rani’s best-est buddy in Bollywood.
Socialite Evenings
Beating the Path to Locarno
MR and Mrs Iyer, the Aparna Sen movie that film aficionados have been waiting for, is to be screened at Locarno. So is the digital video, Let’s Talk, directed by debutant Ram Madhwani. Rahul Bose is the protagonist in the first, while his pal Boman Irani plays the lead role in the second. Apart from the fact that both actors are known faces in the world of English theatre, the pals have something else in common: Bose’s debut effort as director, Everybody Says I’m Fine, also has Irani essaying a key role. With Everybody Says… already released, movie buffs will be hoping Mr and Mrs Iyer and Let’s Talk will also see the light of the day in India.
Acting Pricey
WHEN filmmaker Ketan Mehta (who has directed Shah Rukh Khan in both Maya Memsaab and Oh Darling Yeh Hai India) approached the Devdas star recently with a role in the next film he was planning, the actor heard him out patiently and said he would consider the offer. When the director began calling Shah Rukh’s secretary to check if the star would be willing to do the film, he was glad to hear that Shah Rukh had agreed out of sentimental reasons. But, we hear Shah Rukh has given his secretary strict instructions not to allot dates for the film for the next seven years or so. Ketan Mehta, not surprisingly, was spotted leaving the actor’s office with an expression that couldn’t be put down to either excitement or disgust.
Walled In?
Model Behaviour
Two Minutes of Shah Rukh
GO through the list of 30-odd Indian films bound for the Locarno fest, and you’ll be pardoned for thinking none of Shah Rukh Khan’s films have made the cut. But one film has — writer Arundhati Roy’s intriguing 1989 effort, In Which Annie Gives It Those. Though Shah Rukh’s name isn’t even mentioned in the credits, you can’t miss him in that rare, two-minute walk-on role, gauche and thoroughly un-SRK-like as a college student with a chikna hair-do. So the next time someone tells you SRK made his screen debut on television with Fauji, tell them you know better. In Which Annie Gives It Those Ones came earlier than Fauji did, a fact even SRK’s many fans seem to forget.
Ek Chhoti Si Publicity Stunt?
THERE is some talk in Bollywood that the whole jhagda between actress Manisha Koirala and filmmaker Shashilal Nair over the supposedly steamy scenes he has included in his film, Ek Chhoti Si Love Story is nothing more than a publicity gimmick. Koirala and Nair, close friends, are believed to have hatched this plan to bring some attention to their otherwise obscure film which might have come and gone without a trace, had it not made the kind of splash it has now…
Dil Chahta Hai… Farhan!
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Nagging Doubt
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Govind Nihalani: ‘‘I feel it’s an innovative idea. In the South, a Tamil film is released in Telugu after dubbing, and at a time like this when every other Hindi film is failing, it might be a good idea to adopt the same strategy in Bollywood so as to make at least some recovery.’’ Ramesh Taurani: ‘‘No, that’s not a smart idea. If a film doesn’t work in Hindi, more than likely it’s not going to do well in another language. You can’t recover costs from flop films, and dubbing it in other languages is certainly no solution.’’ Story continues below this ad Rakesh Mehra: ‘‘It is a healthy trend, there is no doubt about it. Just like English films are released in other languages to recover money, Hindi films should also be released in other languages for cost recovery.’’ Rahul Dev: Asoka did well in metros, and in the overseas market, but it didn’t do well in the interiors of India. Perhaps it might have made some money in those territories had it been released in local languages.’’ |


