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In 2005, an acid attack left Nasreen Jahan physically and emotionally scarred. A veil over her face is a reminder of the trauma of that fateful day. But in scriptwriter Megha Ramaswamy’s short film Newborns, Nasreen lifts her veil for the first time and speaks freely, looking into the camera, recounting the moments leading up to the attack and the fear and desperation that followed. “I did not ask her to do that but she felt comfortable talking to me without a veil, I just let her speak,” says Ramaswamy.
Her eight-minute film Newborns will have its world premiere on September 9, at the Toronto International Film festival in the Short Cuts International programme. There will be additional screenings on the 12th and 14th.
The film opens with a voice-over of a survivor reading out her poem. The treatment is part experimental and represents a dystopian view of society where acid attack survivors are treated as misfits. There are views of crowded markets by night, motels, people staring at survivors on public transport, and sequences of survivors being candid before the camera — be it Laxmi, an acid attack campaigner dancing freely to a Bollywood song at her apartment or Nasreen sitting at a restaurant and having a bowl of soup.
The film evolved from interactions at various workshops that Ramaswamy attended with these survivors. “It was a cathartic process, but to break that down visually was challenging. When you have lost everything, you don’t want much.
They just wanted to talk. And we were sure that we did not want to portray the survivors as victims,” says Ramaswamy, who has featured only three survivors in the short film.
It is part of a larger narrative of a feature film, which she is currently producing with the help of Recyclewala Labs and producer Anand Gandhi. “The complete film will have 12 survivors. I have interacted with 29-30 cases so far,” says Ramaswamy, justifying the title of film as “the survivors having to relearn everything like newborns.”