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When Delhi’s famed Kamani Auditorium was inaugurated in 1971 by then President VV Giri, those at Bharatiya Kala Kendra Trust, who owned the premier hall, insisted that Odissi exponent Guru Mayadhar Raut, ought to perform the opening concert. Mainly because Raut was a phenomenal name in the field, who’d played a significant role in systematising the dance form, besides being a master of Natya Shastra and head of the Odissi department at the Kendra. The performance, which inaugurated the significant cultural space in Delhi, remains distinctive.
It also perhaps should have been one of the more significant memories to remember Raut, who passed away at 94 in Delhi on February 22. But the last vivid reminder of Raut is from 2022, of him standing outside his Asiad village home, allotted to him by the Delhi government in the ’80s, as he leaned on his walking stick with difficulty, while his Padma Shri – the certificate signed by President Pratibha Patil in 2010 — was tossed on the road along with his other belongings as the government officials evicted him and his daughter mid-lunch. The Housing and Urban Affairs Ministry had issued notices to artistes (who were allotted accommodations at nominal rents for three-year terms extended regularly) to vacate these houses in 2020. Soon after the eviction, Raut and Madhumita, who also teaches Odissi, had moved to a student’s basement in Sarvodaya Enclave with everything they owned.
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Born in Kantapanhara in Cuttack, Raut was fond of music and dance since a young age. He was a school boy when noted Odissi literary figure and dramatist Kalicharan Patnaik, who knew Raut’s father and ran a drama troupe called Sakshi Gopal Natya Sangh, asked for a nine-year-old Raut to join the troupe. It’s here that the young boy began learning Gotipua, which had emerged in Odisha from the Davedasi tradition and was performed by boys dressed as women in praise of Lord Jagannath. This was followed by his training in Odissi under Guru Pankaj Charan Das. He then moved to Kalakshetra in Chennai and learned the ropes of Natya Shastra. In 1948, Patnaik came up with the term Odissi for the dance form, mirroring the name of the music that accompanied it.
Some years later, in 1952, after Kala Vikas Kendra – the first institute in India where Odissi was formally taught – was founded, Raut began to teach Odissi alongside the form’s foremost name, Kelucharan Mohapatra. Sometime later, Raut and a few others formed Jaynatika, an organisation that worked on the need to standardise the mudras (symbolic gesture in dance) of the form as various people were performing varied versions of the same thing and attempted to make the form Shastra-based, thus consolidating and expanding the study of the art form. Raut’s contribution is significant in giving Odissi its classical status.
After he moved to Delhi in 1969, he also trained several students, many of whom are now prominent dancers, including Ranjana Gauhar, Kiren Segal, Aloka Panikar and Vanashree Rao, among others.