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This is an archive article published on April 12, 2023

Rennervations review: Jeremy Renner ropes Anil Kapoor into his bizarre vanity project

Rennervations review: Jeremy Renner rounds up a gaggle of international celebrities such as Anil Kapoor and Anthony Mackie, to aid him in a philanthropic venture that he struggles to explain.

Rating: 1 out of 5
rennervations review jeremy renner anil kapoorAnil Kapoor and Jeremy Renner in a still from Rennervations. (Photo: Disney+)
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Rennervations review: Jeremy Renner ropes Anil Kapoor into his bizarre vanity project
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Remember that reality show The Activist? It was supposed to feature Priyanka Chopra as one of the judges, but it was called off because people (correctly) pointed out the dubious ethics of its premise. The show was pitched as a contest between activists who’d be judged by celebrities on the basis of how much money they generate for their respective causes, and based on this description alone, it caused an uproar on social media. People were aghast. Well, wait till they watch Rennervations, a show that was probably pitched, somehow greenlit, miraculously completed, and is now available for you to watch (presumably in utter disbelief) on Disney+ Hotstar.

In it, Jeremy Renner declares that he’d do ‘anything’ for kids, and then proceeds to spend time and money on presenting them with refurbished vehicles in the most bizarre act of vanity in recent memory. Instead of handing over the same money to the nonprofits featured on the show, or building actual facilities that serve a purpose, Renner’s plan, which he repeatedly describes as ‘crazy’, is to hire crews to build those same facilities, but on wheels. Why? We never really understand.

Which perhaps explains why every episode of Rennervations opens with the same four-minute ‘interview’ segment in which Renner is made to lay out the premise of the show. It’s almost as if Disney anticipated the audience’s bafflement. In these interview segments, Renner tells his sidekick Rory that he’s always liked ‘building things’, but what he really wants to do is ‘to make actionability and thoughtfulness cool as f**k.’ The segment concludes with a theme song in which Renner sings about himself. Sample the lyrics: “Call me the bad guy, call me the saint, tell me I’m crazy, call me insane. I was born a dreamer, with a heart of gold, call me a rebel, I’m just the rubble on the road.”

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This is completely on brand for the actor, who once famously launched an app on which people could compete for the title of world’s number one Jeremy Renner fan. The app also housed music that Renner performed with what Karan Johar would describe as ‘conviction’. There’s no other explanation for this. Renner really doesn’t seem to recognise how self-involved all this makes him seem. But while behaviour like this would be mildly amusing otherwise, in the given context, it’s quite off-putting.

Like most of these ‘documentaries’, Rennervations also struggles with the lens — is it, for instance, a show about activism or is it a show about the activist? But presented with the option of shedding the light on either the crew of builders, the nonprofits doing the actual groundwork, or even the children who are eventually supposed to benefit from all this, Rennervations ignores them all and instead points the camera at Renner. We get scenes in which he’s inexplicably playing random musical instruments, singing, or simply gazing into the distance.

Virtually every five minutes, someone pops in to declare how great Renner is for doing this. As if they’d say anything else about their boss. And when others aren’t singing his praises, Renner himself reminds viewers that nothing like this has ever been done before. This might technically be true; why would any real philanthropist spend money on creating a dance studio inside a bus? But Rennervations almost suggests that activism itself is a concept that Renner has invented.

Each of the four episodes ostensibly features a celebrity guest, and while three of them barely bother to show up, one of them predictably overcommits. No prizes for guessing who. Episode two of Rennervations is set in India, and features the beloved Anil Kapoor as Renner’s partner in crime. But while Vanessa Hudgens turns up for three minutes in episode one, and spends each of those three minutes actively trying to figure out what’s happening, Kapoor is present from start to finish in episode two.

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Oh, and each ‘build’ is given an arbitrary two-week deadline. There’s no good explanation for why Renner has decided to introduce this angle. Maybe he thought that this would add some dramatic stakes to the story? But this isn’t a contest. The builders could’ve easily taken the time necessary to create these facilities, but instead, especially in the India episode, they appear to compromise on their original plans only because somebody thought that in addition to the difficult work that the builders are tasked with, they should also have to deal with an unreasonable deadline.

“You have to do it for India!” Kapoor tells the crew at one point, clearly having surrendered himself to the part. But does he know that the show he is honouring with so much sincerity can’t even be bothered to correctly identify Indian cities? Aerial establishing shots of ‘New Delhi’ are clearly of Jaipur. In fact, they’re not even of some random corner of the Pink City; if you squint hard enough, you’d probably be able to spot Laxmi Mishthan Bhandar or something. But sloppiness like this is emblematic of the show as a whole. Not only is it questionable on an ethical level, it’s also rather boring to watch. It’s up to you to decide what the bigger crime is.

Rennervations
Cast – Jeremy Renner, Anil Kapoor, Vanessa Hudgens, Sebastián Yatra, Anthony Mackie
Rating – 1/5

Rohan Naahar is an assistant editor at Indian Express online. He covers pop-culture across formats and mediums. He is a 'Rotten Tomatoes-approved' critic and a member of the Film Critics Guild of India. He previously worked with the Hindustan Times, where he wrote hundreds of film and television reviews, produced videos, and interviewed the biggest names in Indian and international cinema. At the Express, he writes a column titled Post Credits Scene, and has hosted a podcast called Movie Police. You can find him on X at @RohanNaahar, and write to him at rohan.naahar@indianexpress.com. He is also on LinkedIn and Instagram. ... Read More

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