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Netflix’s ‘gruesome’ series offers first look at Korea’s real-life Squid Game, darkest chapter of human abuse
Real-life Squid Games: Netflix spotlights how a government-backed camp once branded as “welfare” turned into one of Korea’s darkest scandals, with survivors recalling abuse, slavery, and death

Ever since Hwang Dong Hyuk’s record-breaking Squid Game dropped on Netflix, the world hasn’t stopped buzzing about its concept. Though Hyuk has never admitted to drawing from past scandals of the country, he did acknowledge parts of the story were inspired by his own life. Now, Netflix’s new docu-series The Echoes of Survivors: Inside Korea’s Tragedies has reignited the debate, especially with its opening chapter on Brothers Home, a government-backed facility long compared to a real-life Squid Game.
Netflix unveils the truth of korea’s Brother’s Home
Just as shown in the Squid Game series, there existed an island in South Korea branded as a welfare facility. Brother’s Home, an internment camp, that drew global scrutiny with CNN even calling it one of the worst human rights abuses. It operated from 1975 to 1987 in Busan. In reality, the camp was state-sanctioned, and thousands from poor backgrounds were illegally held to present Korea as a poverty-free country, as a big global event was approaching (ahead of the 1986 Asian Games and the 1988 Summer Olympics.) The mission was called “to purify the streets.” In Netflix’s new series, it shows the reality of this camp where victims were detained, abused, and forced into slave labour. There were kids, women, the homeless, office workers, even those who likely fell asleep in hotels after drinking too much, and kids who were waiting for their relatives to pick them up. Everyone was swept away in vehicles, stuffed like animals. At the time, the country was under a military dictatorship, which was overthrown shortly after.
In the new show, survivors recount being beaten, starved, and even sold through adoption channels. Women were raped, forced to work unpaid with barely any food to survive, and often pushed into dangerous games just like in Hwang’s series. The purpose was pure entertainment. Official records show around 657 people were killed out of nearly 40,000 abducted. At its peak, more than 3,000 were locked inside; hundreds died. Netflix digs into this horror not just through testimony but through direct confrontations.
The second part of the series show survivors and producers track down surviving family members of Park In Geun, the man who ran Brothers’ Home. Geun escaped severe charges and was convicted only of embezzlement. He served a total of 30 years in prison. He was never held accountable for any human right abuse despite the camp drawing global attention. Geun reportedly had few political allies during President Chun Doo Hwan’s government who helped him dodge the charges. He ultimately died in a nursing home in 2016.
During his time running the camp, he even roped in his own family for top positions, his wife Lim Sung-soon, her brother Lim Young-soon, and others. In the series, producer Jo Seong Hyeon and survivor Choi Seung-woo travel to Australia to face Geun’s family head-on, questioning the wealth they still hold. After the scandal erupted, the family quietly moved overseas. The ending scene is one of the most powerful and worth watching, especially after the government failed to deliver justice.
Is Squid Game inspired by the Brother’s Home?
Though Squid Game creator Hwang Dong Hyuk has never admitted to taking inspiration from Brothers’ Home, global media has long drawn the connection. Insider reports revealed this as one of the biggest reasons Squid Game was rejected multiple times over the course of a decade. The eerie similarity in tone and aesthetics to Brothers’ Home made many back out of the project. Survivors interviewed in Echoes of Survivors wore the same tracksuit uniforms they had been forced into as kids in the camp, uncannily close to what we see in Squid Game. Even photos from the time show inmates in blue training suits, rubber shoes, and nylon underwear, while Hwang’s players wore green tracksuits and white shoes. One of the few survivors, Hahn John Son, told Al Jazeera how he and his sister were shoved into a truck by men in blue tracksuits, much like the guards in pink uniforms in the series. A few surviving photos also show inmates sitting on bunk beds.
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