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This is an archive article published on June 16, 2012

First Price

During his early days as a theatre artiste,a Bengali play had left a deep impression on Shubhrajyoti Barat.

During his early days as a theatre artiste,a Bengali play had left a deep impression on Shubhrajyoti Barat. The stage was packed with furniture. What unfolded on it was an intense drama that tested relationships and questioned family dynamics. Such was the universality of the subject that it took Barat several years to realise that this production was not an original,but an adaptation of American playwright Arthur Miller’s The Price.

“I have always been drawn to this play. So,now that some of us have got together to form the group Behulas Theatre,I chose to direct The Price as my first play,” says Barat,who has worked with Nadira Babbar’s Ekjute Theatre for 15 years before turning into a freelance theatre artiste.

The task of adapting this play,however,was taken up by Vikram Phukan. He changed the setting of the 1968-play from an American family to that of a Bandra-based Catholic one. The shrewd Russian-Jewish antique dealer in the play too,was converted into a furniture-wallah from Mumbai’s Dongri area. The experimental play with its four-member cast and minimal set opens today at St Andrew’s College,Bandra. The second show will be at Veer Savarkar Hall in Dadar on July 1.

That The Price was not considered as Miller’s best work compared to Death of a Salesman or The Crucible does not seem to bother either Barat or Phukan. However,they have edited the play,reducing the running time to nearly 120 minutes. The first act of the play,considered to be slow,is now much tighter. “In our version,we have made the first act a lot less self-explanatory,” says Phukan. Since the play is text-heavy,Barat fancies himself more as a facilitator between the playwright and the actors. “I allowed the actors to absorb the text first and then express themselves,” he says.

After its first production,Behulas Theatre is likely to adapt political activist Jaya Mitra’s memoir Hannaman written in Bengali. “The book is more about the women she meets in the jail,” says Barat. According to him,the group,committed to experimental theatre in Mumbai,will dabble in both original writing as well as adaptations of classics.

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