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This is an archive article published on January 17, 2009

Fair enough

In a world that is increasingly occupied with the attraction of the superficial,Regency novelist William Makepeace Thackeray’s novel Vanity Fair seems far from outdated.

Vanity Fair
Zee Studio
Fridays,10:30pm
Rating ***

What is it about? In a world that is increasingly occupied with the attraction of the superficial,Regency novelist William Makepeace Thackeray’s novel Vanity Fair seems far from outdated. The story of a girl of humble origin,who makes it big through sheer ambition and grit,remains fresh in this BBC adaptation in spite of the constraints imposed by the television medium. The story starts when Becky (Rebecca) Sharpe,daughter of a drawing master,graduates from Miss Pinkerton’s Academy for Young Ladies. She accompanies her friend,the “rich and happy” Amelia Sedley to the latter’s home where she gets her first flavour of high society. The ambitious Becky then tries to unsuccessfully woo Amelia’s brother Joss,a rich and guileless young man. How Becky gets to the top,only to have a fall from grace,is the story of Vanity Fair.

Who’s in it? British actress Natasha Little plays Becky Sharpe with the right mix of charming coquetry and Machiavellian cunning. It may be accidental,but you can’t help but notice the resemblance between her and another,equally famous anti-heroine,Scarlett O’Hara of Margaret Mitchell’s Gone with the Wind. Both characters are essentially survivors,who make many false moves in the beginning,but end up doing penance for their actions. Nathaniel Parker plays Captain Rawdon Crawley and brings to life the role of the dashing rogue.

What’s hot? The show faithfully reproduces the social mores and customs of the Regency period. The glittering balls,the flouncy gowns and the stately uniforms of the gentlemen are lovingly created. Of course,the opening shot,which shows a young Becky serving her penniless father’s friends in the latter’s studio,shows the grim underbelly of those times,as do the portions which show Becky during her stint as governess at Sir Pitt Crawley’s crumbling mansion.

What’s not? For something that’s supposed to be a period classic,there isn’t much

Regency music in the show. Also,most of the charm of the novel comes from the narration,because Thackeray was,as he himself admitted,not very adept with plotting and characterisation. The show could’ve been saved by some complex characterisation and motivations ,but that is missing. Moreover,apart from the lead pair,Little and Parker,the acting department seriously suffers. Especially annoying is Francis Grey who plays Amelia Sedley with too much cloying sweetness.

Should you be watching it? If you don’t have the time or the patience to read the original novel,we suggest you catch this well-adapted series. For all its flaws,it’s still beautifully produced,with a fairly interesting plotline and some wonderful moments.

POOJA PILLAI

Pooja Pillai is a Senior Assistant Editor at The Indian Express, working with the National Editorial and Opinion section. Her work frequently explores the intersection of society, culture and technology. Editorial Focus & Expertise Pooja’s writing spans several key domains, often blending analytical commentary with cultural critique. Art & Culture: She writes extensively on cinema, books, and the evolving landscape of arts and entertainment. Technology & Society: Her work examines the human impact of the gig economy, the rise of AI in creative fields, and the cultural shifts driven by digital platforms. Food & Lifestyle: She often uses food as a lens to explore history and politics, covering everything from the origins of pantry essentials to the impact of nutrition policy. Politics: She closely tracks political developments in South and West India and provides commentary on international political transitions, including the shifting landscape of American politics. Multimedia & Podcasting Pooja is a prominent voice in the Indian Express’s digital ecosystem. She is the host of 'DeshKaal with Yogendra Yadav', weekly video podcast where she facilitates deep-dive conversations on Indian democracy, social movements, and current political affairs. Notable Recent Works Cinema & Identity: “SRK@60: Why Shah Rukh Khan is Bollywood's last, and only, superstar” – an analysis of stardom and the changing face of Indian identity Global Politics: Commentary on the Trump administration’s misguided “war on woke culture” via typography and analysis of the visual semiotics of Volodymyr Zelenskyy’s attire during successive visits to the White House. Art & AI: “An unequal music: AI is lowering barriers at the cost of music itself” – a critique of how technology is redefining artistic value. Professional Presence Pooja is active on X (formerly Twitter) and Instagram, where she shares her latest columns and editorial insights. Her full archive and latest updates can be found on her Indian Express Author Profile. ... Read More

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