Premium
This is an archive article published on January 11, 2009

Cross-Continental Journeys

As Israeli forces pound Gaza,Hamas fire rockets and wounded people huddle among dead bodies in crumbling homes...

A film festival brings together hard-hitting stories from Asia,Africa and South America

As Israeli forces pound Gaza,Hamas fire rockets and wounded people huddle among dead bodies in crumbling homes,a different tale from Palestine will come to Delhi with the Tricontinental Film Festival that begins on January 15. Natalie Assouline’s documentary Brides of Allah will talk about Palestinian women serving time in Israeli prisons for alleged terrorist links.

The festival,in its fifth year in India,brings together movies about Asia,Africa and South America. If the opening film,Gini Reticker’s Pray the Devil Back to Hell is about a band of Liberian women who came out to end the country’s decades-old civil war in 2003,Anthony Gilmore’s documentary Behind Forgotten Eyes goes to Korea during World War II and its thousands of women kidnapped by the Japanese army and forced into sexual slavery. “There has been a conscious effort to put together a selection that will bring to light different issues related to human rights from across the world,” says Alika Khosla,director of the festival,which will travel to Mumbai,Goa,Bangalore and Kolkata.

Among the 28 films,11 are from Asia. The films have been classified into four categories — “Body Public” explores how people interact with public spaces; “Not All in Good Faith” has films about exploitation of the workforce; “The Line That Defines” features four films on migration; and “Zones of War” has 11 films that explore battle-scarred regions across the world.

Every screening will be followed by a discussion and often an interface with filmmakers. Filmmakers Gabriela Gutierrez Dewar and Sally Gutierrez Dewar will conduct a workshop on their film Tapologo,titled after a network established by a group of HIV-infected,former sex-workers in a squatter settlement called Freedom Park in South Africa. Also in attendance will be Canada-based Lila Ghobady,who will introduce the documentary Forbidden Sun Dance

that depicts the plight of artists who are put in prisons or forced into exile after the 1979 Revolution in Iran. It will be shown through the eyes of the dancer Aram Bayat who reveals the story of her political exile from Iran. “The discussions with filmmakers are intended to allow viewers to get a better idea of the concerns that their films deal with,” says Khosla,hoping to draw in a large crowd at the festival.

Vandana Kalra is an art critic and Deputy Associate Editor with The Indian Express. She has spent more than two decades chronicling arts, culture and everyday life, with modern and contemporary art at the heart of her practice. With a sustained engagement in the arts and a deep understanding of India’s cultural ecosystem, she is regarded as a distinctive and authoritative voice in contemporary art journalism in India. Vandana Kalra's career has unfolded in step with the shifting contours of India’s cultural landscape, from the rise of the Indian art market to the growing prominence of global biennales and fairs. Closely tracking its ebbs and surges, she reports from studios, galleries, museums and exhibition spaces and has covered major Indian and international art fairs, museum exhibitions and biennales, including the Venice Biennale, Kochi-Muziris Biennale, Documenta, Islamic Arts Biennale. She has also been invited to cover landmark moments in modern Indian art, including SH Raza’s exhibition at the Centre Pompidou in Paris and the opening of the MF Husain Museum in Doha, reflecting her long engagement with the legacies of India’s modern masters. Alongside her writing, she applies a keen editorial sensibility, shaping and editing art and cultural coverage into informed, cohesive narratives. Through incisive features, interviews and critical reviews, she brings clarity to complex artistic conversations, foregrounding questions of process, patronage, craft, identity and cultural memory. The Global Art Circuit: She provides extensive coverage of major events like the Kochi-Muziris Biennale, Serendipity Arts Festival, and high-profile international auctions. Artist Spotlights: She writes in-depth features on modern masters (like M.F. Husain) and contemporary performance artists (like Marina Abramović). Art and Labor: A recurring theme in her writing is how art reflects the lives of the marginalized, including migrants, farmers, and labourers. Recent Notable Articles (Late 2025) Her recent portfolio is dominated by the coverage of the 2025 art season in India: 1. Kochi-Muziris Biennale & Serendipity Arts Festival "At Serendipity Arts Festival, a 'Shark Tank' of sorts for art and crafts startups" (Dec 20, 2025): On how a new incubator is helping artisans pitch products to investors. "Artist Birender Yadav's work gives voice to the migrant self" (Dec 17, 2025): A profile of an artist whose decade-long practice focuses on brick kiln workers. "At Kochi-Muziris Biennale, a farmer’s son from Patiala uses his art to draw attention to Delhi’s polluted air" (Dec 16, 2025). "Kochi Biennale showstopper Marina Abramović, a pioneer in performance art" (Dec 7, 2025): An interview with the world-renowned artist on the power of reinvention. 2. M.F. Husain & Modernism "Inside the new MF Husain Museum in Qatar" (Nov 29, 2025): A three-part series on the opening of Lawh Wa Qalam in Doha, exploring how a 2008 sketch became the architectural core of the museum. "Doha opens Lawh Wa Qalam: Celebrating the modernist's global legacy" (Nov 29, 2025). 3. Art Market & Records "Frida Kahlo sets record for the most expensive work by a female artist" (Nov 21, 2025): On Kahlo's canvas The Dream (The Bed) selling for $54.7 million. "All you need to know about Klimt’s canvas that is now the most expensive modern artwork" (Nov 19, 2025). "What’s special about a $12.1 million gold toilet?" (Nov 19, 2025): A quirky look at a flushable 18-karat gold artwork. 4. Art Education & History "Art as play: How process-driven activities are changing the way children learn art in India" (Nov 23, 2025). "A glimpse of Goa's layered history at Serendipity Arts Festival" (Dec 9, 2025): Exploring historical landmarks as venues for contemporary art. Signature Beats Vandana is known for her investigative approach to the art economy, having recently written about "Who funds the Kochi-Muziris Biennale?" (Dec 11, 2025), detailing the role of "Platinum Benefactors." She also explores the spiritual and geometric aspects of art, as seen in her retrospective on artist Akkitham Narayanan and the history of the Cholamandal Artists' Village (Nov 22, 2025). ... Read More

Stay updated with the latest - Click here to follow us on Instagram

Latest Comment
Post Comment
Read Comments
Advertisement
Loading Taboola...
Advertisement