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The photographs at Rahaab Allanas first solo exhibition are displayed in pairs. The figurines on a Khajuraho temple are coupled with a shot of Islamic calligraphy covering a Samarkhand mosque. Another photo-pair shows a rock slouching in the earth in Himachal Pradesh,its form similar to the figure of a man sleeping on a Mumbai street. Palaces and places of worship,temples and mosques,and even humans and landscapes have been juxtaposed. Each pair establishes a narrative that not only ranges from the thoughtful to the humourous but also connects India with the rest of south Asia , says Allana,30.
With this exhibition,Worlds of Difference,Allana,better known as the curator of the Alkazi Foundation,emerges as a photographer. The photographs are from his travels from Lucknow to Lahore and from Ajanta to Angkor Wat. It is not travel photography,though,Allanas subjects are defined by his art background ancient monuments,temple sculptures and forest spaces dominate the exhibition.
The photographs are in black and white and Allana plays with light and shade a man sleeps in a forest dappled in sunlight and forms and contours a curved tree trunk is juxtaposed with convex domes. In one diptych,a shot of a slum dwelling is paired with that of a building in ruins. The slum is in Lucknow and the building in Mumbai, says Allana,explaining how he has reverse stereotypes.
Individually,the photographs have a documentary quality,not surprising since Allana has spent the past nine years working on the 19th century archives at the Alkazi Foundation. After a while,I didnt want to look at monuments through the lens of another photographer, he says. He set off to Ajanta and Badami and found that though the frame was fixed,the meaning was not. The historic spaces come alive a sweeper stands at the bottom of a steep staircase in Ajanta,and in another shot,children play at the Badshahi Mosque in Lahore . These people belong to these places, he says.
The exhibition is on at the Allaince Francaise till April 16. Contact: 43500200
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